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...mainstay of Sandel's presentation is Professor John Rawls's Theory of Justice. Two of the key concepts in this work are an original position and a veil of ignorance. Having taken a Sandel course before in which these concepts were discussed, I hope the following explanation proves adequate for the discussion at hand (apologies to those of you who have just sweated through the deeper nuances...

Author: By Paul W. Green, | Title: Doing 'Justice' an Injustice | 12/18/1985 | See Source »

Intimately related to this is the veil of ignorance. This concept merely extends and completes the previous thought: Not only is everyone starting at some hypothetical ground zero, but no one, including the legislative mind, knows what his position in society will be after the laws are enacted...

Author: By Paul W. Green, | Title: Doing 'Justice' an Injustice | 12/18/1985 | See Source »

...examine a polar extreme--the hypothetical legislator becomes an avid patron of pornographic materials. The protection of pornography makes his life more 'pleasant.' He has unlimited access to whatever his eyes desire. He's glad the hypothetical veil gave him the 'right' to look at dirty pictures...

Author: By Paul W. Green, | Title: Doing 'Justice' an Injustice | 12/18/1985 | See Source »

...cotton is just a small part, springs into New York City's Metropolitan Museum of Art with a vitality and dignity well beyond that of most exhibitions of clothing. All is ravishment: a child's coat made of silver fabric embroidered with gold thread; a woman's costume of veil, tunic and pajamas that plays with sunset shades of gold and violet. Fashion and society are the prevailing standards that squeeze museum costume shows tight, but "Costumes of Royal India" celebrates an ongoing tradition--of craft, of coloration, of symbolic dress and functional wear. Diana Vreeland, who in her years...

Author: /time Magazine | Title: Living: A Harmony of Fugitive Color | 12/16/1985 | See Source »

...there is not a piece of textile here that is not produced today." The costumes come from 16 former royal families, and a few had to be returned for use during the preparation of the exhibit. One of Singh's assistants was married in a bridal outfit with a veil embroidered in gold that looks, to a Western eye, like nothing so much as formal wear for a fairy-tale princess...

Author: /time Magazine | Title: Living: A Harmony of Fugitive Color | 12/16/1985 | See Source »

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