Word: vein
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Dates: during 1980-1989
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...rake of renown, Plume stirs the love of Silvia (Laurie Kennedy), who disguises herself in male uniform and eventually hooks him. Plume's best friend, Mr. Worthy (Frank Maraden), is led a mad matrimonial chase by a haughty heiress named Melinda, played in an impish comic vein by Laura Esterman. Bumpkins, worldlings, gulls and wits populate the evening. Toward the end of the play, it becomes evident that Plume is not a womanizing gourmand, as he pretends to the world, but a moonstruck child of sentiment who has found in the chaste but frolicsome Silvia his true heart...
...British, and I'm not sure the Brattle St. crowd is any better prepared for this than for Lulu. The best written part of the play, it seems to me, is Sir Flute's second-act monologue (which resembles Tom Stoppard's New-Found Land in a lower comic vein); here Wood seems to be speaking for himself, evoking the romantic America of Paramount and MGM: "You said all that pretentious rights-of-man nonsense, and then you went out and did it." With our hands on our guns and our heads in the sky, one might add. Wood...
...Hospital for Sick Children, told scientists last week at the annual meeting of the American Association for the Advancement of Science that a lighter and fully automated pump could normalize blood sugar levels at all times of the day by continuously injecting small doses of insulin into a large vein...
...others crowded into Moscow's Supreme Soviet building demanding to emigrate to Israel. Exiles from the U.S.S.R. converged upon Madrid to hold press conferences detailing repression at home. Outside the Palace of Congresses, Maris Kirsons, a 39-year-old Latvian-born Lutheran minister from Philadelphia, punctured a vein in his arm and dripped blood on a Soviet flag in a protest against Moscow's dominance of the Baltic states...
...strength of Brigadoon lies in its songs and dances. Lerner and Loewe struck a rich melodic vein, and this full-throated cast mines every golden nugget. Agnes de Mille's dances summon up atavistic ceremonies that might have been carved in bas-relief on the walls of ancient temples. Two standouts: Sword Dance, done with steely balletic precision by John Curry of ice-skating fame, and the Funeral Dance, performed with melancholy fury by Marina Eglevsky to a dirge of bagpipes. The guiding intelligence behind every moment of every scene belongs to Vivian Matalon, who makes of the director...