Word: veined
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Dates: during 1990-1999
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...erotic and slightly frightening, her voice breaks as she declares, "You speak to me in riddles and you speak to me in rhyme/ My body aches to breathe your breath, your words keep me alive," a perfect contrast to the calmer, more controlled elements of the song. In the vein of "Into the Fire," McLachlan's hit off of her second album Solace, the song is just as beautiful in the extra, acoustic version included at the end of the final track, displaying McLachlan's expressive piano accompaniment...
...fighting--between Emma and Detective John Hallstrom (Aidan "Ole Blue Eyes" Quinn) is so hackneyed that you begin to feel embarrassed for the actors. The embarrassment grows during the required epiphanal sex scene. Against a background of Muzak, we are treated to close-ups of the big blue vein in the side of Madeleine Stowe's boob and the long hair on Aidan Quinn's chest. Director Apted has no sense of tasteful nudity. Or relevant nudity, for that matter. Why does Apted waste precious minutes on the scene where Emma walks around her apartment naked, sniffing flowers...
...piece continues in the same astounding vein. Operating on the a priori assumption that fatness is bad, Cucci recommends a battery of mandatory physical education programs and nutrition seminars...
...Explanation of Straight While Male Sexuality" has some clever insights, its narrator complaining. "I can't stand straight men: they don't lust after me. All they want to do is win arguments with me or beat me at pool. I don't need that shit." Along a similar vein of psychological insight, Michael Manning, an acclaimed sex comic, explains his art through the statement, "I like the idea of humans and animals having sex together. We think of animals as lower, but we also nurture them. It seems like a normal impulse to pull them up one level...
...Fergie-like princess with a potentially explosive diary, a royal aide hiding a homosexual affair and assorted political tricksters, both dirty and deadly. Like its predecessor, To Play the King is a wonderfully savvy, supremely cynical picture of real-world politics that makes American efforts in the same vein (JFK: Reckless Youth) look like Saturday-morning cartoons. Michael Kitchen, as the King, is starchy yet appealingly human; in its fictional way, To Play the King does more to demystify the British monarchy than any Daily Mail photos of Princess Di in the exercise gym. The face-to-face confrontations between...