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Word: veined (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...chorus: "Don't let your love/Fall on down on my umbrella." The guitar riffs are well executed if a tad typical, and singer Tim DeLaughter intones the lyrics with the prescribed amount of nasality. The song is entertaining, and "One Through Four" and "Blown Away" follow in the same vein, driven by the omnipresent bass...

Author: By Diane E. Levitan, | Title: Fits The Bill | 11/4/1993 | See Source »

...similar vein, Rudenstine reaffirmed hiscommitment to need-blind admissions, and proposedincreasing financial aid for graduate schoolstudents...

Author: By Marion B. Gammill, | Title: Rudenstine Issues Planning Report | 10/29/1993 | See Source »

HRDC's director, Declan T. Fox '94, agrees with this military vein which evokes Prussian efficiency. "They come in like little commandos. There are about 35 shows going on per semester. If someone doesn't have enough people, they can call them, and they come in immediately...

Author: By Leah F. Pisar, | Title: The Nuts and Bolts of Harvard Theater | 10/23/1993 | See Source »

...plane crash is Airport '93. The ; best we might hope for in a study of survivors is psychological faith healing. But Rafael Yglesias has written what amounts to a meditation on mortality. In the process, he has provided director Peter Weir with a route back to his best vein, that of Picnic at Hanging Rock and The Last Wave, those curiously creepy movies in which ineffable, quite insoluble mysteries slowly insinuate themselves into ordinary life. Together, the filmmakers have given Bridges a singular figure -- beamy, spooky, secretive -- to play and provided Perez, a ferociously real, marvelously touching actress, with...

Author: /time Magazine | Title: A Question of Mortality | 10/18/1993 | See Source »

...Keith Haring's cute squiggle salads, be thought more original, let alone more beautiful, than the best work of, say, Susan Rothenberg, Nancy Graves, Elizabeth Murray or Vija Celmins? Where are those formidable senior talents, the two Louises, Bourgeois and Nevelson, without whom no account of the post-Surrealist vein in America can be adequate? And what about -- but enough, enough already. One can see why there's a big self-portrait by Philip Guston, full of weltschmerz and peeking nervously over the top of a wall. He must have been expecting Norman of Beijing, not the other...

Author: /time Magazine | Title: Art: The View From Piccadilly | 10/4/1993 | See Source »

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