Word: vel
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SPAIN has the most satisfying pavilion of all: a well-wrought building where cool, shadowy interiors lead to bright, fountained courtyards, an art gallery where Goya and Velásquez hang cheek by jowl with Miró and Picasso. With a stageful of vibrant flamenco gypsies and a choice of fine restaurants touting "eels from the River Tagus" and "mushrooms from the caves of Segovia," Spain outclasses most other foreign and state pavilions, many of which offer nothing more remarkable than displays of consumer goods and models of jute mills...
SPAIN has the most satisfying pavilion of all: a well-wrought building where cool, shadowy interiors lead to bright, fountained courtyards, an art gallery where Goya and Velázquez hang cheek by jowl with Miró and Picasso. With a stageful of vibrant flamenco gypsies and a choice of fine restaurants touting "eels from the River Tagus" and "mushrooms from the caves of Segovia," Spain outclasses most other foreign and state pavilions, many of which offer nothing more remarkable than displays of consumer goods and models of jute mills...
...form of dwarfism found by Dr. McKusick among the Amish in more than a dozen communities. It is a new kind of genetic defect. Doctors who earlier noticed cases of this kind of dwarfism among the Amish mistook it for achondroplasia, a form made familiar by Velásquez's paintings of dwarfs as court jesters, with short arms and legs, a large head and a "scooped-out" nose. But Dr. McKusick's team found significant differences. These Amish dwarfs do not have big heads or misshapen noses. Aside from their short arms and legs (from a defect...
SPAIN. The pavilion is the most beautiful at the fair, suggests the courtyards of Castile and the filigreed palaces of Andalusia. To it, Spain brought the best she has: priceless paintings by Goya, El Greco, Zurburán and Velásquez, three prize Picassos, as well as folk dancers who perform in the gardens, bullfight movies and three fine restaurants...
...condemned of the sixth circle knew the eternal future and remembered the past but had no sense of their present horror. In the drama, they fulfill Goodman's ideals of stillness and deadly substance within a stagelike space that he derives from such of his idols as Masaccio, Velásquez and Rembrandt...