Word: velvetized
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...filmmakers would seem less likely candidates for TV than Lynch. His first feature, Eraserhead, was a dreamlike horror story about a couple taking care of a monstrous mutant baby. Blue Velvet, his bizarre 1986 black comedy, started with a severed ear and descended into sadomasochistic horror. Trained as a painter, Lynch has written song lyrics and directed a performance piece, Industrial Symphony No. 1, featuring a midget sawing wood and dozens of baby dolls lowered from the ceiling...
Lynch moved to Los Angeles in 1970 and spent five years making Eraserhead. The film became a cult hit and led to his first mainstream film, The Elephant Man. Lynch's next project, the big-budget sci-fi movie Dune, was a critical and commercial disaster, but Blue Velvet brought him widespread critical / acclaim. A couple of aborted projects later (including a script for Steve Martin called One Saliva Bubble), Lynch is finishing a new film, Wild at Heart, starring Nicolas Cage and Laura Dern...
...outfits look like dress-up clothes found in the back of a closet. The police officers inexplicably look like Hell's Angel rejects and the hookers look like Barbie dolls. Minimalist crepe-paper palm trees and a funky beaded curtain litter the stage. A God-only-knows-why velvet Elvis painting completes the perfect tackiness of the scene in the Leverett Old Library. But the acting is good enough to compensate for all that...
...crowd of Adams House residents crashed the party. They let the relatively tame Eliot men and women know what the "Club Euro" lifestyle is all about. Women wore black bras, leather bustiers and skirts barely longer than my pinky finger. One man came dressed in a skin-tight black velvet dress and patent leather pumps...
Taking the part seemed an odd choice for Freeman, who had remained prickly about the kinds of roles offered to black actors, but in Fast Black he saw a chance to flesh out the stereotype. "I had no intention of wearing crushed- velvet jump suits, big hats or high-heeled pumps," he says. But the changes went far beyond the cosmetic, as Freeman transformed what could have been another cliched pimp caricature into a harrowing portrait of a desperately brutal man. The performance won three major critics awards, an Oscar nomination for Best Supporting Actor and Freeman his first crack...