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Word: velvets (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Jenkins appeared in flame-colored velvet, with yellow ringlets piled high on her head. For a starter she picked Brahms' Die Mainacht, subtitled on her gilt program as "O singer, if thou canst not dream, leave this song unsung." Mrs. Jenkins could dream if she could not sing. With her hands clasped to her heart she passed on to Vergebliches Standchen, which she had labeled "The Serenade in Vain...

Author: /time Magazine | Title: Music: Dreamer | 11/19/1934 | See Source »

...indeed. Il Duce's knees would bend perforce to the Muse as he passed through the five-foot door to the sword-hung study where the Poet, in cloth of gold and purple velvet, summons servants garbed like monks from their surrounding "cells." D'Annunzio might permit so distinguished a guest to enter his sacred Adriatic Room, lined with stalls from an abandoned church. He would surely show Il Duce where he spends his days of solitary contemplation, the chamois-lined Chamber of the Leper which it sometimes pleases him to call the Cell of Pure Dreams. Here...

Author: /time Magazine | Title: ITALY: Power & Glory of Labor | 10/15/1934 | See Source »

Continental Varieties (Arch Selwyn and Harold B. Franklin, producers) smoothly exhibits a group of European music-hall celebrities, performing, one by one. their tony specialties. Dressed in blue velvet, perched dramatically on a piano, Lucienne Boyer sings her Parisian torch songs (TIME, Oct. 8). Vicente Escudero clicks his Spanish heels, cas tanets and fingernails, accompanied by a troupe of wriggling gypsies. A fat, sad-faced Russian named Raphael makes a concertina, scarcely larger than a sausage, whisper like a violin. A magician named De Roze refreshes his audience by pouring, from a pitcher which appears to con tain pure water...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Oct. 15, 1934 | 10/15/1934 | See Source »

...laissé mon coeur," "Désir," "Garde moi dans tes bras," "Parle moi d'autre chose, " "Moi j'crache dans I'eau," "Ballade." The songs have wide variety but Lucienne Boyer's stage costume is always the same: deep blue velvet for which she chooses blue or amber lights. They suit her reddish brown hair, large brown eyes, full red lips. Her private wardrobe is more fantastic. She has so many dresses that she need never wear the same one twice in a year. Her dresses are by Jeanne Lanvin and Rochas, her hats...

Author: /time Magazine | Title: Music: Parisienne | 10/8/1934 | See Source »

Furs are used extensively for trimming and edging, but big fur collars are frowned upon. Most amusing fur note is an Astrakhan muff shaped like a dachshund. Hats, also exotic, feature the stovepipe which sits high on the head, the Francois Villon, and the tiny velvet head turban with three and only three feathers. Skirts are split, but not notably longer than last year, varying from floor length to 15 in. above the floor. Trains are conspicuously absent. Predominant dress colors are black, "poison" green, purple...

Author: /time Magazine | Title: Business: Haute Couture | 8/13/1934 | See Source »

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