Word: velvets
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Dates: during 1970-1979
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...Jerome Lewis, president of Petro-Lewis Corp., one of the country's 15 largest independent oil exploration and production companies. Lewis began as a consultant eleven years ago, and today he holds an interest in 11,000 wells in 21 states. Sitting amid the chrome and crushed velvet of Denver's Petroleum Club, Lewis gestures toward the Rocky Mountains still glazed with snow and exults: "This is today's big oil frontier. It is the most exciting thing in America's energy equation since the North Slope of Alaska...
...grass, quickly sprouted and gone, lovely but not to be sentimentalized, the dependable product of sun, rain and horse manure. It is hard not to think of Liz Taylor, especially if the thinker happens to have been twelve when she was twelve, all brave and radiant in National Velvet. (Teddy Kennedy was twelve then, and so was John Updike, but they had not wandered into the witch's house, were not on public view.) Some of the present class of very young actresses will become fat, will be many times divorced, will forever erase the lying promise of incredible early...
...right, maybe the little cutup over there in the corner will never be Roddy McDowall in How Green Was My Valley. And maybe the princess maneuvering her Barbies around the doll house will never be Elizabeth Taylor in National Velvet or Jean Simmons making her way through Great Expectations and Olivier's Hamlet with certainty and erotic grace. But to one degree or another, most kids-even yours-are actors anyway. Before a camera, most could be great if they did not learn, for whatever reasons of self-defense, to be cute and lovable. They turn into the celluloid...
...guests cross the broad terrace to the crushed-velvet lawn of bent, meadow and rye grass, they face a crucial decision: to head straight for the green-and-white striped refreshment tent, to claim one of the limited number of tables or to stake out a position along the royals' walkabout route. Two out of three is the best even a sprinter can hope...
Reed's replacement for the Velvet Underground sound is a mixture of electronically synthesized guitar and bass, a traditional wind and brass section, and a technique called "stereo binaural sound"-which has something to do with the placement of microphones and leads to a thick, atmospheric recording best listened to with headphones. The sound is unmistakeable and very pleasing, and so far Reed has been able to write songs that take full advantage fo it. On "I Want to Boogie With You," Don Cherry's trumpet and Marty Fogel's sax thicken the soup of a repeated chord sequence...