Search Details

Word: velvets (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...recognizes my pair as the new 517's.) Jeans abound in every size, shape, and color--not only are their lovably frayed 70s leftovers for the vintage lovers out there, but even stone-washed 80s style dungarees for the fashion clueless. Customers bored with traditional denim can choose from velvet, suede, and corduroy varieties. Faux-suede pants in black, blue, brown, and tan ($28) seem to be a current in-house trend...

Author: By Shara R. Kay, | Title: S'HABILLER en noir | 4/9/1998 | See Source »

...doesn't buy clothes directly from individual shoppers, so leave those old sweaters at home.) Currently, much of the women's clothing sadly seems geared toward those with eating disorders. Even in so-called `size large,' a tiny lime-colored slip-dress ($24) barely covers the essentials. Access's velvet LBDs ($28) and silvery separates by Ceduxion ($24) share the same minimalist proportions...

Author: By Shara R. Kay, | Title: S'HABILLER en noir | 4/9/1998 | See Source »

Clearly, change comes slowly to the Harvard Faculty Club, a monument to the Ivory Tower where long-time professors and administrators gather to drink sherry and talk shop in green velvet armchairs. Little seems to have changed since the Club was built...

Author: By Caitlin E. Anderson, CRIMSON STAFF WRITER | Title: Salmon, Sherry and Tradition | 4/2/1998 | See Source »

Oddly enough, each of the seven segments of the dance developed a strong sexual charge, though the dancers' emotional intensity remained at a cool, aloof low. In Segment III in particular, Larissa Ponomarenko and Paul Thrussel entwined themselves over and over again in matching navy velvet outfits. Even the audience's pulse ran quickly, but like the lighting and the mood of the sub-ambient music, a strong emotional detachment pervaded this particular ballet...

Author: NO WRITER ATTRIBUTED | Title: Boston Ballet Gives a High Voltage Performance | 3/13/1998 | See Source »

Next on the program is "Four Hands," principal dancer Lazlo Berdo's choreographic masterpiece, set to sprightly Rachmaninoff works being performed live onstage by Freda Locker and Maya Isyanova. Amy Persky's costumes, again mostly consisting of stretch velvet (though black in this ballet) and artfully displaying the dancers' hands and feet, become the perfect accent for the breathtakingly intense piano music--at moments, the dancers seem to be the piano keys themselves. A fantastic lighting design by Linda O'Brien expresses the varying moods of the performance perfectly, from deliciously jazzy to achingly romantic...

Author: NO WRITER ATTRIBUTED | Title: Boston Ballet Gives a High Voltage Performance | 3/13/1998 | See Source »

Previous | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | Next