Word: velvets
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Dates: during 1990-1999
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...concert was truly a visual as well as an aural treat. Symphony Hall, of course, was at its gilded rococo best, and nearly filled with a largely elderly audience. Rich blue purple velvet and white tie tuxes dominated the stage in both the orchestra and choir, providing a beautiful setting for the soloists' brocades, sequins, taffeta and diamonds. Nor did the non-musical excitement end there. A brief intermission provided opportunity to eavesdrop on the gossip of the very nattiest of the old Boston families or enjoy a cigar or rose in the lounge...
Plus the damn things groove. Artists seeking more control of their music often forget what first made them appealing. Witness Janet Jackson's cringingly self-conscious The Velvet Rope, an album so calculated to seduce that its emotional accessibility is roughly that of your average glacier. The last thing Salt 'N' Pepa would do is forget to have...
...latest Janet, on her new album The Velvet Rope, is omnivorous, sexually and musically: folk, hip-hop, man, woman, it's all in play. Her basic sound, however, is the same--her small, soft voice surrounded by imposing, muscular dance beats. The album has more than a few striking moments, from Vanessa-Mae's rubbed-raw violin solo on the title track to the brutal frankness of What About, in which a woman rejects a marriage proposal from an abusive boyfriend. Jackson occasionally relies too heavily on others--Got 'Til It's Gone draws smartly on Joni Mitchell...
...most beautiful women parade around in the world's most impeccably tailored, insanely expensive and unusual clothes. Certainly it doesn't get much odder than at the house of 28-year-old Alexander McQueen, Givenchy. His show, held at a Parisian medical school festooned with swaths of red velvet and caged ravens, had been plagued by rumors that it would feature real human bones and teeth. Not so. The handlike skeletons under the lace mantilla were made of resin. The swan around SHALOM HARLOW'S neck, right, was as faux as the eyelashes, eyebrows and pupils adorning CHRYSTELE, left. "There...
...noted, though, that some of the recent talk about a surge in "women's music" could be seen as a veiled slur. The music women make is too varied for a single category, and the mediagenic notion of some sort of "female sound" could turn into a kind of velvet prison. Women, of course, have been major players in music throughout the rock era, so the idea that gals with guitars is something new is an insult to such folk-pop pioneers as Odetta and Joan Baez. The number of women at the top of the charts of late, however...