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...Shostakovich. If his scrupulously maintained low profile was the antithesis of Stokowski's flamboyant showmanship, he nevertheless insisted on a uniformly high performance standard, which can be heard on the hundreds of recordings he made with the Fabulous Philadelphians. Above all, Ormandy refined and deepened his orchestra's velvet tone to the point where he could justifiably say, "The Philadelphia sound...

Author: /time Magazine | Title: The Fabulous Philadelphian: Eugene Ormandy: 1899-1985 | 3/25/1985 | See Source »

...serious mistake to buy tickets to either Romeo, but A.B.T. has the stronger ballet and the superior staging. Both productions are almost ostentatiously grand. In neither is there a hint that Shakespeare set his story during a heat wave; the ladies are swathed in pounds of velvet, silk and gilt. But Designer Nicholas Georgiadis puts on a more magnificent ball in A.B.T.'s $900,000 show, and his Juliet is exquisitely costumed...

Author: /time Magazine | Title: Dance: Rival Romeos HIT THE ROAD | 1/14/1985 | See Source »

...certain undiminishable power in the struggle between Basil Ransom (Christopher Reeve), all snaky masculine guile, and Olive Chancellor (Vanessa Redgrave), representing feminism at its most sternly ideological, for the innocent soul of Verena Tarrant. But Ivory's camera behaves like a tourist trapped meekly behind a velvet rope at a historical reconstruction, and most of his actors seem afraid they might damage the nicely chosen antiques the curator has permitted them to perch upon...

Author: /time Magazine | Title: Cinema: The Adaptation as Antique Show | 10/15/1984 | See Source »

...always quiet. No lobbyists or reporters hover about the paneled chambers; tall bronze gates seal off the cool marble passageways from the public. The black-robed Justices emerge onto the high bench only to hear the arguments of deferential lawyers, and then vanish again behind a thick velvet curtain. They deliberate in secret, insulated and remote from the hurly-burly of American politics...

Author: /time Magazine | Title: Court at the Crossroads | 10/8/1984 | See Source »

Your discussion of androgyny in our society misses the point entirely [SEXES, July 23]. What would you say about a man who wears velvet pants, lace collars, silk stockings, a purse and a perfumed handkerchief? Would you consider him part of the breakdown of civilization as we know it? No, he is Louis XIV of France. History repeats itself, especially fashion history, and that is all this manifestation is, fashion regression...

Author: /time Magazine | Title: Letters: Olympic Fever | 8/20/1984 | See Source »

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