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...champagne flowed to strains of Vivaldi. Waiters in white tie and tails ministered to elegant patrons seated in rich red velvet banquettes. Behind them, murals of buxom nudes tiptoed into postimpressionist waters. An evening at Maxim's, of course. But this was not Paris. It was, of all bourgeois things, Maxim's de Pekin, which opened last week in China's capital, one of several copies of the Parisian restaurant now owned by Designer Pierre Cardin, 61. Before East could meet West, 15 Chinese spent months learning the art and preparation of haute cuisine in Paris...

Author: /time Magazine | Title: On the Record: Oct. 10, 1983 | 10/10/1983 | See Source »

...National Velvet (M.G.M.). Throughout her childhood, horses so deeply excited Velvet Brown (Elizabeth Taylor) that merely to look at them was ecstasy. She lost her heart to one at twelve, when she first saw a neighbor's fierce new gelding running majestically through a meadow. Without quite realizing it, she also lost her heart to her companion that memorable day, a hard little tramp of 17 (Mickey Rooney), He stayed on in the village to work in her father's butcher shop...

Author: /time Magazine | Title: Cinema 1944: The New Pictures: NATIONAL VELVET | 10/5/1983 | See Source »

...National Velvet is not merely sure to delight children and the child in most adults; it is also an interesting psychological study of hysterical obsession, conversion mania, preadolescent sexuality. Twelve-year-old Elizabeth Taylor, a beautiful little girl who has hitherto had minor roles in Lassie Come Home, Jane Eyre, etc., is probably the only person in Hollywood who could bring to this curious role its unusual combination of earthiness and ecstasy...

Author: /time Magazine | Title: Cinema 1944: The New Pictures: NATIONAL VELVET | 10/5/1983 | See Source »

BORN. To Crystal Gayle, 32, sultry, velvet-voiced country-pop singer (Don't It Make My Brown Eyes Blue), and Vassilios ("Bill") Gatzimos, 31, her manager: their first child, a daughter; in Nashville. Name: Catherine Claire. Weight...

Author: /time Magazine | Title: Milestones: Sep. 5, 1983 | 9/5/1983 | See Source »

Patience's two leading men render fittingly stereotypic presentations of their characters. Thrope's Bunthorne is hopelessly clownish; he mugs ridiculous poses and his gray velvet costumes and black wig capture his superficiality as he practices all over the stage during his solo "Am'I Alone and unobserved? And Sullivan's Grosvenor mocks all handsome heroes with his marcissism powered by a stage presence that would sweep even the audience off its feet. Sullivan and Thrope prove excellent foils in brisk repartee during their duet. "When I Go Out of Doors," as Bunthorne tries to convince Grosvenor to become more...

Author: NO WRITER ATTRIBUTED | Title: Sex Appeal | 7/12/1983 | See Source »

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