Word: velvets
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...listen to John Cale's viola careen into its nauseating twisted frenzy at the end of the old Velvet Underground song "Heroin," it may be somewhat hard to believe that Cale is still alive. More than any other American rock group, the Velvet Underground seemed to be toying with the kind of violent apocalyptic energy which could ultimately consume itself. In fact, Cale survived the Velvet Underground, and has now produced, by himself, one of the few important albums of this dismal year of rock and roll. And perhaps Cale's survival qualifies him to say something about...
...height of a largely unheralded musical career, the Velvet Underground produced their second album, White Light/White Heat -an album which so powerfully realizes the group's violently alienated vision that listening to it is often unbearable. In 1968, rock's manifest destiny was apparently to grow progressively more violent, perverted, and electronic. White Light/White Heat was about as far as rock got in that direction...
...John Cale left the Velvet Underground. His solo album, appropriately Vintage Violence, rejects further exploration in the maniacal realms for a complex, coherent eclecticism. The sensibility of Vintage Violence is nothing so much as non-violent. A sense of tranquility rather than jagged scorn runs through all of Cale's imagery...
...bridegroom wore hair and maroon velvet, the bride wore flowers and white satin when Michael Wilding, 17, son of Actress Elizabeth Taylor and her second husband, Actor Michael Wilding, married Beth Clutter, 19. Outside London's Caxton Hall Registry, a crowd of 500 gathered to goggle at the groom's mum (in white wool pants and a rink-sized diamond) and her husband, Richard Burton (in business suit and a new slim, "off-the-sauce" look). No wedding reception, no honeymoon. "Too old-fashioned," explained a p.r. man. "These are a couple of mod kids...
...There was, however, considerable talk of their music. After a few forgettable singles, the Supremes hit it big with a tune called Where Did Our Love Go. Florence and Mary sang the background, while Diana did the lead in a voice that was equal parts coyness, sexiness, nicotine and velvet. "Baby, baby, where did our love go?" they purred together, and that little question sent them right...