Word: velvets
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...Arizona, Novelist Erskine Caldwell set up his own bullyboy definition of literature, then admitted that he did not measure up: "Literature implies a graceful treading along a prescribed course and a conformity to the sensibilities of prejudiced minds. I am not quiet-spoken, and I do not have a velvet touch. I like to hammer, hammer, hammer, and make all the noise...
...Street Broker Kingman Douglass, Adele recalls that she "thought it would be fun. I was cunning then-I was Alice in Wonderland." With her Scotty Wassie, she went to Kokoschka's Kensington studio twice a week for two months, dolled up in a Madame Jenny dress of blue velvet with a pale, pleated skirt. To her annoyance, Kokoschka never let her see the painting, and she skipped the last two sittings...
...last week Mezzo Hoffman displayed a veteran's easy stage presence and a wide-ranging voice that floated purely though somewhat colorlessly in its upper register, darkened richly in its lower one. The haunting warning Einsam wachend in der Nacht in Act II had a texture soft as velvet, but with resonant carrying power. Her characterization in one of opera's most thankless roles was skillfully subdued, came as a welcome relief from the histrionics with which other Brangänes sometimes worry the Met's stage. All in all, it was a welcome and memorable first...
...movie houses disgorge streams of blinking customers (Marty and Trapeze are sellouts). In bars (where only foreigners and party bureaucrats have cash enough to drink regularly) U.S.-make jukeboxes squawk the raucous normalcy of rock 'n' roll. But the iron fist looms through the shoddy substitute for velvet: at a Budapest restaurant, a grey-haired old waiter is seized by security police, vanishes. His crimes: he has a young relative who is studying to be a priest, and he has been observed chatting with foreigners in scraps of languages picked up when he worked abroad years...
...rage, never pausing to be subtle, kept the house ringing and the stage dark with passion. Baritone Leonard Warren as lago proved again his ability to soar dramatically or modulate to a mahogany pianissimo, invested his role with an air of sly innuendo that it often lacks. As Desdemona, velvet-voiced Soprano Victoria de los Angeles took her time warming up, but was in soaring form by the third act's grand ensemble scene; her heavy acting was forgotten as she gave the Willow Song and Ave Maria in Act IV a purity and emotional gloss that held...