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With the auction room jammed and an overflow crowd standing at the red velvet barrier rope to be admitted. Manhattan's leading auction house. Parke-Bernet. last week auctioned all but the last of the fabulous contents of the Rovensky Fifth Avenue mansion (TIME, Jan. 21). Bids for the art collection, including $69,000 for a pair of Boucher classic allegories, totaled $1,264,410. Mrs. Rovensky's two Oriental pearl necklaces (which were once exchanged for Carder's present Fifth Ave nue headquarters), now considered to be worth only one-tenth their original value, still brought...

Author: /time Magazine | Title: Arts: Record Auction | 2/4/1957 | See Source »

...found that even on a Monday enough viewers stayed up past midnight to give an impressive 21.1 to Ronald Colman and Greer Garson in Ran dom Harvest. In Chicago WBKB leaped from fourth to first place by launching 740 RKO movies with a showing of Rosalind Russell in The Velvet Touch, and two other stations rushed in fresh Hollywood features of their own. Philadelphia's WFIL led its field late at night by dipping into a vault newly stocked by RKO, M-G-M and 20th Century...

Author: /time Magazine | Title: Television: Pied Piper's Problems | 12/17/1956 | See Source »

...hair-raising. Callas entered Baron Scarpia's den looking like the Queen of the Night in her black velvet and ermine gown and glittering tiara. Her lip curled shrewishly at Scarpia's overtures, but she staggered when she heard her lover's tortured screams. She wound up her big show-stopping aria, Vissi d'Arte, on her knees just in time to receive the ovation that greeted it. Meanwhile, Mitropoulos, silhouetted against the stage lights, was kneading, soothing, irritating, roiling his orchestra, bouncing around in the climaxes like a marionette on a string. With a start...

Author: /time Magazine | Title: Music: Callas' Tosca | 11/26/1956 | See Source »

...audience sat rapt and bewitched. Not a feathered toque or a velvet pillbox moved in Boston's Symphony Hall. There was something vastly appealing about the frail, hunched woman as she bent over the keyboard; her playing of Beethoven's Concerto No. 3 was filled with a rare kind of fire, poetry and sadness. Bucharest-born Pianist Clara Haskil, 61, was making her first U.S. appearance in 30 years, with Charles Munch and the Boston Symphony Orchestra. When she finished, the hall reverberated to stamping feet and shouts of "Bravo!"' She was called back an un precedented...

Author: /time Magazine | Title: Music: Grande Ambiance | 11/12/1956 | See Source »

...next impromptu speaker wore a tweed coat with a velvet collar, and was interrupted by an occasional cheer for Jackson J. Holtz and the common...

Author: By Robert H. Sand, | Title: Adlai Arrives | 10/30/1956 | See Source »

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