Word: venalities
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...familiar plot: Casper searches for a friend and finds one in Kat (Christina Ricci), a lonely girl now in residence at sepulchral Whipstaff Manor. Among the contenders for possession of this dark old house, which looks like a tyrant's wedding cake that has started to melt, are a venal heiress (the ripely funny Cathy Moriarty) and her sidekick (Eric Idle); Casper's uncles, three ectoplasmic boors named Stretch, Fatso and Stinkie; and Kat's klutzy dad (crinkly Bill Pullman...
...Murray is not so benign; he is a crafty, venal man. He has been able to cling to some scientific legitimacy by downplaying many of the false assumptions in his work, emphasizing its factual elements, and ignoring substantive scientific rebuke. For example, in his Institute of Politics speech, Murray largely avoided the subject of race, and did not answer the stinging criticism of Agassiz Professor of Zoology Stephen J. Gould. He has claimed that The Bell Curve is not about race, but Adolf Hitler could have made that argument about Mein Kampf. Major portions of the book deal with race...
Phiber says he had no interest in anything so venal. He adheres to a self- styled "hacker ethic," which justifies any computer intrusion as long as the motive is pure. In his mind, he was studying the phone system as an architecture student would the floor plan for a cathedral: as a thing of beauty. Still, when Secret Service agents began investigating telephone- company complaints, they found his digital footprints everywhere. During one six-month period, according to Secret Service logs, he broke into AT&T computers in Chicago and Portland, Maine, 69 times...
While the Republicans are attempting to return to the policies of the 1980s, they are reaching further into the past to employ the same hatred that fueled Richard Nixon. Although he has passed away, his venal spirit clearly lives...
...authorities. The coldness and brutality of the external world is again shown, this time not in the form of the wintry Newfoundland landscape, but in the heartless bureaucracy of the state. In a painful scene, the efforts of one investigator to expose these moral injustices are blocked by the venal relations between the church and state. Part I of the film may end with the transfer of the guilty priests from the orphanage, but no sense of closure is achieved...