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...modern designs to rival the dominant idioms of 18th century Georgian and 19th century Beaux-Arts by the Potomac? There was not much to see. The preferred manner, in a low-horizon city dominated by L'Enfant's neoclassical plan, was Beaux-Arts thinly covered with a "modernist" veneer: the cake minus the icing. From the postwar office blocks to the alternately coarse and mincing frigidity of the 1971 Kennedy Center for the Performing Arts, the past 30 years of Washington architecture have been a prolonged failure of the bureaucratic imagination. There have been one or two notable exceptions, such...

Author: /time Magazine | Title: Art: Masterpieve on the Mall | 6/5/1978 | See Source »

...more closely. A little old, maybe, but that spark of wit was all that counted. The baggy, slightly rumpled suit, the black lace-ups, the slight paunch (was it all just a hologram?) could not conceal the powerful, massive frame which lay beneath it all. It was a stage veneer, nothing more; surely, this was a man who deserved Respect. I pumped his hand earnestly...

Author: By Richard S. Weisman, | Title: NO RESPECT | 5/4/1978 | See Source »

...solid, interpretive performances of Shakespeare and other classics. When Cooper says "interpretive," he clearly means it--after all, Shakespeare's Viennese setting of the play has been switched to the nineteenth century, because Cooper feels it's a closer-to-home example of a corrupt society under a veneer of propriety such as that in which the play unfolds. Besides corruption, "Measure for Measure" deals with questions of power and politics, mistaken identity and the discovery of one's sexuality--a heady mixture, no doubt, no matter where it's set. At the Hasty Pudding Theater, 12 Holyoke Street, tonight...

Author: By Troy Segal, | Title: Just Desserts | 4/27/1978 | See Source »

...losing, Hicks--Boston's first lady of racism--proved that old political hustlers are dying out. For decades, Hicks had capitalized on the same prejudices and taken every liberty possible with school committee and city budgets. Kerrigan had always lacked the veneer of civilization that Hicks wore, never refraining from publicly using offensive racial slurs or admitting he exploited patronage opportunities. After the media and the investigative Boston Finance Commission pilloried him last spring over his no-show staff worker, Kerrigan also exceeded the city's level of tolerance. Palladino is the easiest case to explain. She first rode...

Author: NO WRITER ATTRIBUTED | Title: The Chickens Come Home to Roost | 11/11/1977 | See Source »

Schorr does an admirable job of resisting this temptation, but at times the inevitable bias seeps through his journalistic veneer. Perhaps justifiably, he cannot avoid occasional criticisms of certain CBS superiors and colleagues, most notably of board chairman William S. Paley. His analysis of some of their actions, while often supported by evidence in the book, reveals his continued contempt for the role they played in his life...

Author: NO WRITER ATTRIBUTED | Title: As a Writer, Always A Reporter | 11/10/1977 | See Source »

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