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...David Halberstam sees Camelot as an act of hubris created by overconfident young jerry-builders. In the current Harper's, the British journalist Henry Fairlie condemns Camelot as a sort of Washington, D.C., Disneyland that substituted the "politics of expectation" for the politics of performance. Just when the veneer is cracking and the gilt peeling, two members of Kennedy's "Irish Mafia," Kenneth O'Donnell and David Powers, have come along with their ghostwriter, Joe McCarthy, to add another bestselling chorus to the Camelot legend. As White House appointments secretary, O'Donnell was Camelot...

Author: /time Magazine | Title: Books: The Long Goodbye | 1/8/1973 | See Source »

...issues to be discussed by the ACSR and having limited the committee's power to influence the resolution of those issues, the Administration is now seeking to predetermine the ACSR's membership as well. Unless the committee is intended to fulfill only a cosmetic function, spreading the veneer of social consciousness over an investment policy beyond its control, its representatives must be democratically chosen and the character of their task left to the committee to decide...

Author: NO WRITER ATTRIBUTED | Title: Elections for the ACSR | 12/5/1972 | See Source »

...lifestyles. This is osmotic rather than overt, something in the mood and tempo of his work, and not in the presence of any black characters in his plays. Nor is it his only concern. Fast cars, mechanical gadgetry, chrome and plastic values festoon his works and form a symbolic veneer under which, he seems to be saying, older American ideals are shriveling...

Author: /time Magazine | Title: The Theater: Cutting Session | 11/27/1972 | See Source »

...RIGHT AWAY we slip through the present's thin veneer and are submerged in the whole history of an object--in this case, a simple pencil. The entirety of one of the earliest of Nabokov's brief chapters is devoted to illustrating the past visible in that anonymous pencil, from the grinding of its graphite and the felling of the pine for its case to the final implement, all in a discovered second of perception...

Author: By Phil Patton, | Title: Nabokov | 11/9/1972 | See Source »

...also hugely entertaining. Viewing a tottering upper-class in pre-World War II France. Renoir involves us in an atmosphere where dated concepts of honor attained through individual merit (and in nationalist conquests) melt in the midst of equally outmoded and even blinder French aristocratic gamesmanship. Underneath the veneer, worker and German frustration seethes. The plotting and editing are whirlwind: if you can't catch everything first time around, you ski across the surface of each situation and get some idea of the terrain. The cast includes Marcel Dalio and the director himself...

Author: NO WRITER ATTRIBUTED | Title: the screen | 11/9/1972 | See Source »

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