Word: venetian
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...have your traditional following at S&S, but elsewhere..." Johnson muses. "There's even a Korean restaurant down the street that installed venetian blinds recently, probably so people who pass can't see that it's empty inside...
...crew of the wrecked Santa Maria to fend for themselves at La Navidad in Haiti. When he came back for them on his second voyage, they had all been killed by the Lucayo tribesmen. Archaeologists at this first Spanish settlement in the Americas have dug out some shards of Venetian glass and the bones of a 15th century pig. At Isabela in the Dominican Republic, where Columbus founded Spain's first colony on his second voyage in 1493, some evidence is turning up about the layout of the town, its artifacts (including a crucifix, possibly the first...
...political thriller. During the early days of the cold war, the Italian government, assisted by the CIA, sets up a clandestine paramilitary network designed to resist a communist invasion. Code name: Operation Gladio, as in a gladiator's double-edged sword. Skip ahead to last July, when a Venetian magistrate named Felice Casson, investigating a 1970s car bombing in Peteano, uncovers the network while searching through files at SISMI, the Italian intelligence service. When Prime Minister Giulio Andreotti admits Gladio did exist, a national scandal ensues. Most disturbing are suspicions that renegade Gladio agents may have been involved in right...
...portrait should be the "mirror of the soul" as well as a formal utterance about appearance and rank was not born with Titian; Leonardo, Botticelli, Durer and Van Eyck were all his elders, and in his youth he worked with Giorgione, the most shadowed and inward looking of Venetian quattrocento painters, on the fresco decorations of the Fondaco dei Tedeschi. Giorgione's ambition to paint people in the act of thinking, to invent signs for internal reflection as well as external show, was carried forward by Titian into works such as the Louvre's Man with a Glove...
...means insipid or vacant, but they never have the singularity of being that leaps from his best male portraits. They are always cast in the passive voice: the madonnas with their union of tenderness, patrician grace and a certain country solidity, and the nymphs and goddesses (Venus especially), those Venetian odalisques whose weighty gold- pink flesh may not conform to modern conventions of beauty but excited Titian's contemporaries to rapture. There too Titian embodied the assumptions of his time, place and class. What terser image of sociosexual politics in 16th century Venice could one ask for than Titian...