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...Doria-Pamphili, on the Corso. One picture gallery has long been public, but now on Tuesdays, Fridays and Sundays, between 11 o'clock and noon, visitors are admitted to a whole succession of magnificent rooms in which every perfect detail seems to breathe history. The mid-18th century Venetian Room with its Murano glass chandelier may well surpass any interior of the same period remaining in Venice itself. The Grand Salon contains a golden cradle that bears eloquent witness to the natural expectations of a Doria-Pamphili heir: carved on the base are a bishop's staff...

Author: /time Magazine | Title: Art: HALLS OF HISTORY | 7/20/1959 | See Source »

...this weren't enough, your reviewer has just returned from the basement of the Fogg where the Registrar's Office is temporarily sheltering oils by Modigliani (one of his most famous), Monet (a great Venetian study), Monticelli (a good still-life by this long underrated Impressionist master), Utrillo, Cezanne, Degas, Redon, and Rouault. This excellent collection, belonging to Dr. and Mrs. Erich Kahn, will soon be on display upstairs--"that is," Miss Elizabeth Strassman, the Chief Registrar, happily lamented, "if we can find any place for them...

Author: By Michael C. D. macdonald, | Title: Summer Art: Prakash, Pearlman, Wertheim, Warburg, Kahn; Museum Director, Four Major Collections Visit Harvard | 7/9/1959 | See Source »

Venice, the lagoon city that once "held the gorgeous East in fee," is now down to glass blowing, lacemaking, and putting up tourists. As its ancient islands and handsome buildings sink ever deeper into the waters of the lagoon, Venetians and their businesses have been migrating to the booming towns of Mestre and Porto Marghera on the mainland near by, while the population of Venice itself has dwindled to about the same number of citizens (170,000) as it held in 1500. To halt their city's decline, Venetian "progressives" propose to build a "little Manhattan" on an artificial...

Author: /time Magazine | Title: WESTERN EUROPE: Progress of a Sort | 3/30/1959 | See Source »

...Harlem, Belafonte worked as a handyman in tenement houses, toyed with the idea of becoming either a professional basketball player or a social worker, finally drifted into the theater by accident. (The occasion: he got two tickets to an American Negro Theater production as a tip for repairing Venetian blinds.) He worked as a stagehand at the theater, appeared in a few minor roles. Soon after that, he enrolled in the Dramatic Workshop at Manhattan's New School for Social Research, where his classmates included Marlon Brando and Tony Curtis. Harry also persuaded Marguerite to marry him one evening...

Author: /time Magazine | Title: HEADLINERS: Lead Man Holler | 3/2/1959 | See Source »

...column-free space beneath a 30-ft. ceiling. Opening to the north is a curving façade of grey-tinted glass which has become the main museum entrance. In such stark simplicity, the touches of elegance-Roman travertine on the entrance stairs and terrace, green Venetian terrazzo floors-take on a rich but restrained resonance...

Author: /time Magazine | Title: Art: The Big Room | 2/2/1959 | See Source »

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