Word: veniceã
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...addition to the standard tuxes and gowns, Matherites will don elaborate masks for their spring formal in a nod to Venetian revelry. And really, is there any better setting for a recreation of the glamour of Venice??s famous festival than the charming and elegant Mather courtyard? Be sure to keep an eye out for in-House mask-making opportunities...
...available at wine.phantomgourmet.com. 21+. Saturday, May 2, 2 p.m. – 8 p.m., Bayside Expo and Conference Center, $30 online 2. From the Venetian Lagoon to the Bay State: Go see the MFA’s current special exhibition! “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice?? gathers an impressive collection from the Most Serene Republic and highlights the drama behind the art and the conservation behind the exhibit. Ongoing, The Museum of Fine Arts, $23 with student ID 3. Are you a member of “Fight Club”? Don?...
...popular attraction, and transgressive erotic appeal, and one contemporary remarked that this version made one of Titian’s earlier editions of the scene look like a portrait of a nun. Where these artists made their fame and their fortunes, however, was with large-scale religious works for Venice??s hundreds of churches, and apparently there was no contradiction between painting a Last Supper on Tuesday and a sexually charged nude on Wednesday (though it seems like Martin Scorsese filming a porno). Through all of the rooms, the intense rivalry between these three painters is brought...
...themes and characters in these plays can even make the readers feel as if they have met the playwright himself, although she reminds us that we mustn’t sink to believing myths about the Shakespeare-the-person. The chapter on the “Merchant of Venice?? (subtitled “The Question of Intention”) grapples with the problem of Shakespeare’s motive in the representation of Jews via Shylock. Garber seems to bring us increasingly closer to Shakespeare by means of her meticulous analysis of the character’s development...
...equal sensibility with which he treats a vast landscape and a tiny flower shoot make him the ultimate Ruskinian. Aside from “Peacock Feather,” his small landscapes—“Venetian Doorway” (1877), “San Barnaba, Venice?? (c. 1876-77), and “Winter Landscape, Valley of the Catskill” (1866)—are not to be missed. Each painting alone can be examined for hours, and with approximately 60 works, “The Last Ruskinians” is an exhibition that...