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...characterization; its whole raison d'etre is then to give the audience a political goose. This production keeps several of the original jokes, topical ca. 421 B.C., without explaining them; and it ignores, for a long stretch, the wealth of current political garbage to scream about. Without any political venom to make it look dangerous, it often looks pretty dreary...

Author: By Timothy Crouse, | Title: Peace | 7/7/1967 | See Source »

...Venom Troglodytica à la patrie El-Manssourkraut maison Red-Lining Crow à volont...

Author: /time Magazine | Title: Letters: Jun. 16, 1967 | 6/16/1967 | See Source »

With all the venom of a Southern mob barring a school door to a Negro child, a handful of Northern demon strators sought last week to deny the Dartmouth College auditorium floor to George Wallace. "Wallace is a racist, Wallace is a racist!" chanted Negro undergraduates as the Alabamian tried to address the student body. Then, led by a white instructor from Colby Junior College in New London, N.H., who yelled "Get out of here! Get out of here!", the students charged the stage...

Author: /time Magazine | Title: Politics: Enmity in the North | 5/12/1967 | See Source »

...youthful reputation as a scandalous womanizer (deserved) and as a financial charlatan (undeserved) haunted his career. All his life he was candid to the point of impudence and imprudence and maintained a totally un-Victorian intolerance of humbug and hypocrisy. His pen dripped venom. He once endowed an opponent with "the crabbed malice of a maundering witch." Justifying his casual inconsistency on an issue in Parliament, he bluntly said: "We came here for fame." When friends congratulated him on his first accession to the prime ministership, Disraeli said cynically: "Yes, I've climbed to the top of the greasy...

Author: /time Magazine | Title: Books: A Swinger for All Seasons | 3/24/1967 | See Source »

...narrow-mindedness of Antonioni's conception would be more tolerable were it not for his continual use of sledgehammer symbolism. The visual venom with which he passes judgment on the vapid fashion models, the glassy-eyed crowd watching the Yardbirds, and the tennis players, frequently reaches laughable proportions (two people playing tennis without a ball equals two people living in a world of illusion, get it?). This defect in Blow-Up, mostly the fault of the screenplay, greatly reduces the total effect of the film. Blow-Up, when all is said and done, is a small film dealing with large...

Author: By Tim Hunter, | Title: Blow-Up | 2/15/1967 | See Source »

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