Word: venoms
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Dates: during 2000-2009
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...Nader is running again this year, for the fifth consecutive time, and he tells me over the phone he's shocked that the hate is still so strong. Liberal bloggers are saying incredibly mean things about him, or so he's heard. "The venom, looking at the blogs and e-mail responses to the newspaper articles, I'm told--I'm really not online; I have an Underwood typewriter--but I see letters. And it's really sad. It would match e-mail for e-mail the worst Jim Crow remarks in the South against African-American voters...
...College Theatre, guarantees more than a few laughs about the Harvard-Yale rivalry and enough celebrity gossip to fill a full year’s subscription to “US Weekly.” No person, place, or thing is safe from the Pudding’s comedic venom. The jokes come fast and furious thanks to writers W. Brian C. Polk ’09 and Kathleen H. Chen ’09. “Fable Attraction” boasts a wide array of onstage, backstage, and musical talent. More and more characters enter the mix. These...
...downright awkward: when Alex and Ellen first interact at a club, the writing becomes far too blunt for the complex emotional situation. In this way, Beane’s words at times threatens to overwhelm his plot. While Diane, who seems to be made purely of plastic, venom, and dynamite, can rhapsodize and finish off with an expletive-filled punch line, the same sort of writing comes off as glib in the mouths of more earthy characters like Mitchell or Alex. The real success in this method of punchy writing is Ellen, whose inexhaustible supply of sarcastic retorts only makes...
...York Times obituary. Rest assured, Ms. Coulter, that McCain will be around for a while and that your morbid desire to the contrary, fed by your frustrated ego after the rejection of your favorite conservative sweetheart Mitt Romney, is as appalling as your belief that the empty venom you spit is somehow humorous or interesting...
...downright awkward: when Alex and Ellen first interact at a club, the writing becomes far too blunt for the complex emotional situation. In this way, Beane’s words at times threatens to overwhelm his plot. While Diane, who seems to be made purely of plastic, venom, and dynamite, can rhapsodize and finish off with an expletive-filled punch line, the same sort of writing comes off as glib in the mouths of more earthy characters like Mitchell or Alex. The real success in this method of punchy writing is Ellen, whose inexhaustible supply of sarcastic retorts only makes...