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Word: venusized (lookup in dictionary) (lookup stats)
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...curiously wistful. Hiram Powers' The Greek Slave was the first internationally famous work of art produced by an American; when it toured the U.S. in 1847 it created a sensation and people queued to see it. Yet today, as one gazes on this chaste pastiche of the Medici Venus, it seems more an anthropological document and less a work of art than most Alaskan carvings. The problem, of course, is not that neoclassicism is remote from us but that the American version of it was unimpressive...

Author: /time Magazine | Title: Art: Overdressing for the Occasion | 4/5/1976 | See Source »

...spent about $34.5 billion on space programs, culminating in the 1969 Apollo moon landing. In the 1970s the country will spend almost the same amount ($34.1 billion), overwhelming proof that Goddard's dream still has considerable thrust. Two Viking probes are en route to Mars, a Venus probe is scheduled for 1978, and a reusable space shuttle will go aloft the following year...

Author: /time Magazine | Title: The Nation: Aiming at the Stars | 3/29/1976 | See Source »

...Wilhelm Furtwangler, got a job conducting at the Metropolitan Opera. He made his debut conducting Delibes' Lakme, starring Lily Pons. Two years later he quit to become Weill's music director on Broadway, conducting such classics as Knickerbocker Holiday, Lady in the Dark and One Touch of Venus...

Author: /time Magazine | Title: Music: Saints and Sinners | 3/15/1976 | See Source »

...comedy star. He is a tall, conventional-looking young man, who opens a rude and funny parody of the nation's newscasters with "I'm Chevy Chase-and you're not." His news breaks are bizarre: "Vandals broke into the Louvre and attached arms onto the Venus de Milo." His favorite long-running story is: "Generalissimo Francisco Franco is still seriously dead...

Author: /time Magazine | Title: Flakiest Night of the Week | 2/2/1976 | See Source »

...Metropolitan Museum of Art's Costume Institute last week. The main attractions of the exhibit, organized by Diana Vreeland, were the eloquently unfettered wardrobes of two great dancers. Isadora Duncan, a free-spirited sensation of La Belle Epoque, considered herself built along the lines of the Venus de Milo and often performed her astounding dances wearing nothing but a chiffon shawl. In an adjoining room, the eye-popping costumes of St. Louis-born Folies-Bergère Dancer Josephine Baker provided a contrast to Isadora's severity. One of them was a sequined fishnet leotard, another a skirt...

Author: /time Magazine | Title: People, Dec. 22, 1975 | 12/22/1975 | See Source »

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