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Until this performance in "Desire" the Blond Venus has given the critics ample justification for their claim that she was merely a handsome woman who ran into all sorts of scrapes and took them all with the same dull look of languorous rapidity. To the mind of Josef von Sternberg, the dead pan was a panacea. But Dietrich under the new regime of Frank Bozarge is free to act, and she dispels with a flash all doubts as to whether...

Author: NO WRITER ATTRIBUTED | Title: * The Moviegoer * | 3/14/1936 | See Source »

...Titian was Venus and the Lute Player. Lord Duveen, after buying it from the third Earl of Leicester in 1932, lent it to Chicago's Century of Progress Exposition and to Venice's great Titian exhibition where it hung with the famed Venus of Urbino (TIME...

Author: /time Magazine | Title: Art: Metropolitan's Titian | 3/2/1936 | See Source »

...Venus and the Lute Player, finished when the world's longest-living (99) painter was about 83, is in Titian's "yellow & blue" period with overtones of the preceding "red & green." No diet-disciplined Hollywood beauty, the great-hipped, heavy-stomached Venus lies on a violet couch while a Cupid crowns her with flowers, and a boyish nobleman serenades her with a lute. The paint job is superb, the composition dramatic. Credited with being the first intimations of 18th Century Impressionism are the blue mountains, the wide vague plain in the background...

Author: /time Magazine | Title: Art: Metropolitan's Titian | 3/2/1936 | See Source »

...giving a free concert at Sanders Theatre tonight, with an introductory talk by Mr. Leichtentritt. The orchestra is sponsored by the W.P.A. Richard Burgin is conducting this week at the Boston Symphony concerts, and the program contains Roy Harris's Second Symphony, the suite of dances from "The Basque Venus" by Wetzler, and Beethoven's "Emperor" Concerto no. 5 in E flat with Leonard Shure, local artist, at the piano. This is Mr. Shure's debut with the orchestra...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 2/27/1936 | See Source »

...socialite ladies dressed as Sun, Air, Water, Bananas, Peaches, Carrots & Peas, Tomatoes, Milk, Coffee and Greens. Central figure of "Wealth" was Donna Marina Torlonia, gowned in gold sequins, before whom paraded more socialites representing Travel, Art, and assorted angels with gilded wings. "Happiness" was represented by the Court of Venus. The Goddess of Love was impersonated by Leonora Corona, onetime singer at the Metropolitan Opera. A Texas girl whose costume as Thai's when she appeared at the Cincinnati Zoo Opera three years ago shocked her audience (TIME, July 31, 1933), Miss Corona showed herself at the Waldorf...

Author: /time Magazine | Title: THE PRESIDENCY: Cuff-Links Gang | 2/10/1936 | See Source »

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