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Usage:

...Mexican company, operated by Mexicans, and paying more than lip service to the Mexican economy. For himself he asked for a fair return on his investment, a traffic hookup between his two airlines. This brand of Yankee business easily won Mexican favor, plus route privileges to Tampico, Merida, Vera Cruz...

Author: /time Magazine | Title: AVIATION: To the Americas | 4/16/1945 | See Source »

...Maggy Rouff's, Legroux's, Suzanne Talbot's and Vera Borea's, vendeuses said they had deferred this season to American taste. Hats were smaller. None of those towering creations of Occupation-nothing over 14 inches high. Hats were also less elaborate-a choice of flowers, birds or fruit but not three courses...

Author: /time Magazine | Title: Foreign News: Spring Styles | 3/12/1945 | See Source »

...also a less poetic one. In The Tempest, with its wonderful language, words speak louder than actions; not everybody in the Webster production knew how to utter them. Arnold Moss was a sonorous and commanding Prospero, Frances Heflin a sensitive Miranda. But as Ariel, Ballerina Vera Zorina let a good many speeches dwindle, and her grace was cold rather than sunlit. As Caliban, Negro Actor Canada Lee could not (like Shakespeare) make poetry of ugliness. Stressing the rather dull comedy also shattered the mood; the revolving stage was more practical than atmospheric. This generation may never see a livelier Tempest...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Feb. 5, 1945 | 2/5/1945 | See Source »

Peace plans of the Dumbarton Oaks conference will come under scrutiny at Cabot Hall of Radcliffe tomorrow afternoon when Vera Michales Dean will address a joint meeting of the Harvard Liberal Union and the Radcliffe League for Democracy...

Author: NO WRITER ATTRIBUTED | Title: Vera Dean to Address HLU on Dumbarton Oaks Peace Plans | 1/19/1945 | See Source »

Arnold Moss is an impressive Prospero with an incisive voice that gives force and significance to some of Shakespeare's most moving poetry. France Heflin portrays Miranda with an air of innocent wonder that is truly beautiful. Ballet is not out of place in "The Tempest," and Vera Zorina's Ariel has exceptional grace, if not marked dramatic excellence...

Author: NO WRITER ATTRIBUTED | Title: PLAYGOER | 1/12/1945 | See Source »

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