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...problems: fresh out of a stretch in the workhouse, he must scrape up the money for a new guitar and a bus ticket, and he has to persuade his friends Canewell, a harmonica player, and Red, a drummer, to accompany him. He wants to take his girl Vera with him too, but he has to convince her that he's changed his philandering ways...

Author: /time Magazine | Title: DEATH AND THE BLUES | 2/20/1995 | See Source »

...acting, however, could hardly be improved upon. Especially fine are the performances of Jerome Preston Bates as Floyd, who makes us care about the tortured soul that lies beneath a veneer of strut and swagger; Viola Davis, an eloquent and unaffected Vera; and Ruben Santiago-Hudson, who plays the sweet-natured, joyous Canewell as a sort of Mercutio to the lovers' Romeo and Juliet...

Author: /time Magazine | Title: DEATH AND THE BLUES | 2/6/1995 | See Source »

...Died. VERA MAXWELL, 93, fashion designer, in Rincon, Puerto Rico. From her cotton proto-jumpsuit fashioned for riveting Rosies during World War II to 1974's "Speed Suit"-a zipperless, buttonless dress that could be pulled on in seconds-Maxwell pioneered sportswear for women that was as comfortable as it was chic, earning herself the sobriquet "the American Chanel." Maxwell's sources of inspiration were marvelously eclectic: a 1935 visit with Albert Einstein was said to have prompted her to copy his tweed jacket and add two skirts, a pair of pants and an extra jacket to create her classic...

Author: /time Magazine | Title: Milestones Jan. 30, 1995 | 1/30/1995 | See Source »

...Sulpice scene from Manon, a passionate encounter between lovers in a monastery, brings on the prima donna ``Vera Galupe-Borszkh,'' a.k.a. ``La Dementia.'' Wearing a colossal red fright wig and more lipstick than Lucille Ball, she commands the stage like Bette Midler on Benzedrine, casting her stratospheric soprano to the bleachers as it veers between ear-splitting fortissimos and never-ending pianissimos...

Author: /time Magazine | Title: FALSETTOS AND FALSIES | 1/30/1995 | See Source »

...Sepulce scene from Manon, a passionate encounter between lovers in a monastery, brings on the prima donna "Vera Galupe-Borszkh," a.k.a. "La Dementia." Wearing a colossal red fright wig and more lipstick than Lucille Ball, she commands the stage like Bette Midler on Benzedrine, casting her stratospheric soprano to the bleachers as it veers between ear-splitting fortissimos and never-ending pianissimos...

Author: /time Magazine | Title: MUSIC: Falsettos and Falsies | 1/16/1995 | See Source »

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