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Usage:

...Hong Kong is not just a noun, its regulars insist. "`Kong' is definitely a verb, `to Kong,'" says Scocca...

Author: By Molly B. Confer, | Title: The Kong | 4/25/1992 | See Source »

...newly epidemic subspecies of English that certifies Wayne as this month's pop-cultural phenom.) Actually, he is a fairly learned dude; his I.Q. could match those of Bill and Ted and still have points % left over for Homer Simpson. Wayne's vocabulary is abundant with synonyms for the verb vomit: hurl, spew, honk. With his Chinese girlfriend he can chat in Cantonese. And only Wayne noticed that two actors played Darrin on Bewitched: "Dick Sargent, Dick York. Sargent York...

Author: /time Magazine | Title: Party On, Wayne -- From TV to Movies | 3/2/1992 | See Source »

...boring to watch. It's boring to write about. It's boring to think about. Every years except one in the history of their rivalry, the Crimson has shut out Tufts. And year after year after year, I try to make the article exciting, new, different. An action verb here, an action verb there, a euphemism for "complete domination" everywhere...

Author: By Becca Knowles, | Title: Harvard Turkey, Harvard Stuffing and Harvard Squash | 11/27/1991 | See Source »

...origin. Monster conjures up a three-headed Cerberus at the gates of Hades. Etymologically, however, the word has few frills. It is related to demonstrate and to remonstrate, and ultimately comes from the Latin monstrum, an omen portending the will of the gods, which is itself linked to the verb monere, to warn. If a city sinned against heaven, heaven sent it a monster. One can argue that the Sphinx, who confronted travelers to Thebes with her famous riddle, was born of some Oedipal crime and performed an important, if carnivorous, role in the balance of the ethical ecosystem. Monsters...

Author: /time Magazine | Title: The Uses of Monsters | 8/19/1991 | See Source »

Callie Khouri was a bit embarrassed to tell her friends, back in 1988, that she had begun working on a screenplay. After all, in Los Angeles it often seems as though screenplays are being written by everyone who can put a noun and a verb together, and by some who can't. But Khouri felt she was on to something special. She had grown tired of seeing women portrayed in movies as passive partners, terminally ill victims or sex objects. "I wanted to write something that had never been on the screen before," she says. "As a female moviegoer...

Author: /time Magazine | Title: Moving into The Driver's Seat | 6/24/1991 | See Source »

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