Word: verbalizations
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Dates: during 1970-1979
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...BALD SOPRANO had a strangely stale effect, though the famed "Bobby Watson" segment and the opening interchange between Mr. and Mrs. Martin should, independently, justify even the most traditional revival of this play. What follows these two paradigms of verbal obfuscation is a dreary series of games which the Smiths play with their think-alike symbolic coordinates, the Martins. The caperings of Mary, the maid, seemed to contribute nothing to the action, but Victoria Fraser's quickness in that part relieved an artistic sore in the play which was repeatedly aggravated by Jim Lynch's performance as the visiting Fire...
...affliction no leader can afford: doubt. Lieut. Commander Fuchida (Takahiro Tamura) is an Oriental Smilin' Jack, all jaw and strut. Ambassador Nomura (Shogo Shimada), present in Washington when the bombs fell, is the same shrunken cipher who appeared in all the newsreels. It is he who bears the verbal assault delivered by Cordell Hull, played by George Macready, one of the few performers capable of diplomatic outrage...
Mailer's easy verbal facility made listening to him hard work: required a mental mountain goat to jump from this theoretical jut to that craggy intellectual ledge. Styron was easier listening: he told you anecdotes in the familiar idioms of home, and you could rest during his pauses for verbal regroupings: he had the virtue of relaxing you more-though when you reached your bed it likely would be Mailer's words that nagged and clanged and rumbled hotly through your mind. Had Heaven planted them as religious saplings, Mailer might have grown into Elmer Gantry or have taken...
...enjoy-or merely endure-Italian opera, especially Verdi, a word-for-word acquaintance with the libretto is not essential. Most listeners will be able to navigate the critical junctures of the average plot by developing a familiarity with a handful of catch phrases. Such verbal adornments keep the melodrama moving and can be used to tell almost any story. As in the following dialogue -drawn entirely from Verdi's Ernani -which took place between an opera-loving wife and a bored husband on opening night at the Met. SCENE...
...Harvard Strike by four reporters from WHRB, Harvard Radio (Boston: Houghton Mifflin, $6.95, paper $3.95) as the clearest, most factual and complete, exposition of the events of April 1969. Nonetheless, the CRIMSON said. " The Harvard Strike has a flaw: much of it is unreadable. Through a number of verbal and conceptual errors, the authors have smothered parts of their story in gooey, impenetrable prose. 'Boring' is too simple a term for the complex problems that plague the book, but readers may find the effect the same." Alumni with a truly unquenchable thirst for the facts about that April, however...