Word: verbalizer
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...puts on display real, articulate people whose company one mightily enjoys sharing. It proclaims Jeremy Irons as one of the finest young actors. It refines a dishwater dilemma, accommodating one's ideals to one's spouse, into a sparkling tonic. It marks the return of radiance -verbal, intellectual, emotional, theatrical - to a Broadway too long in the dark...
...term Pax Romana. "Where they make a desert, they call it peace," protested an English nobleman quoted in Tacitus. Viet Nam brought us new words for the old realities: soldiers "wasted" the enemy, some "fragged" their own officers, bombers provided "close air support." Even the CIA contributed a verbal novelty: "termination with extreme prejudice...
...beginning were the words. At the top, verbal missiles fired in magisterial wrath: Ronald Reagan denouncing the Soviet Union as an "evil empire" that had committed "a crime against humanity" when its fighters shot down a Korean jetliner; Yuri Andropov responding that the Reagan Administration had "finally dispelled" all "illusions" that it could be dealt with. At a baser level, crude vilification: American caricatures of Andropov as a "mutant from outer space"; Soviet comparisons of Reagan to Adolf Hitler...
...weapon to be used against fools, an aphrodisiac with which to ply faculty wives, and a solace whenever thoughts of suicide dance in his head. Still, words give Gowan problems. His rampant eloquence can prove an embarrassment, as when one avid matron removes her brassiere and Gowan offers this verbal foreplay: "Released from their support, her breasts drooped like hanged men." And for ages now he has been unable to put words into an order that would constitute a publishable poem. As his rueful ex-wife notes, "Gowan always maintained that what he hated most about writing was the paperwork...
...have tricks in my pockets. I have things up my sleeve." With these first words from The Glass Menagerie, his Broadway debut in 1945, Tennessee Williams announced his dramatic strategies and asserted his mastery of verbal magic. To the American theater Williams lent a firefly glow through which audiences could see into the dissolving past, into the long nights of desire and failure. For the next 35 years, directors took their cue from Williams' own lazy flights of self-destruction, from his wispy-wise, Percy Dovetonsils voice, and launched productions of his plays on gossamer wings toward the aerie...