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...opera performed at the Metropolitan that evening was Verdi's Falstaff, with an unknown "cover" singer filling in for the ailing Spanish Baritone Vincente Bal-lester in the role of the wealthy burgher Ford. In the second act Ford sang his famous monologue E sogne? a realta? and shortly made his exit. As the orchestra launched into the music of the act's second scene, the audience began chanting an unfamiliar name: "Tibbett! Tibbett! Tib-bett!" Conductor Tullio Serafin waved his orchestra to silence and through the gold curtain stepped a slim young man with a putty-shaped...

Author: /time Magazine | Title: Music: Opera's Grand Trouper | 7/25/1960 | See Source »

...often reverts to an almost 19th-century style. Yet the music is no hodge-podge; everything works, and everything is appropriate. It is heartening to find a composer willing to write for the voice as though it were something besides an instrument. Vocally, the score is in the Verdi-Puccini tradition; orchestrally, it recalls most frequently the sonorities of Richard Strauss, especially of Rosenkavalier. Giannini did not shy away from penning a beautiful, lush love duet for each pair of lovers. The first act has a fugal trio that can take its place with the finale fugue in Verdi...

Author: By Caldwell Titcomb, | Title: Arts Festival Exhibits Stir Up Controversy | 7/5/1960 | See Source »

...Edinburgh (Aug. 21-Sept. 10). Britain's largest festival combines flamboyance and elegance with serious if unadventurous endeavor-quantities of Brahms, Beethoven, Verdi and Mozart, with two premieres: William Walton's Second Symphony, Humphrey Searle's Third Symphony...

Author: /time Magazine | Title: Music: A Musical Summer Guide to Europe | 6/6/1960 | See Source »

...drawn applause at La Scala in years), got many more ovations as she ranged effortlessly from finespun pianissimos to brilliantly ringing fortes. "Brava, Leonessa!" cried someone in the audience, while a second voice corrected: "She is more like a panther than a lioness." Said one critic: "Our great Verdi would have found her the ideal Aïda." When another critic regretted that Soprano Price's color might keep her from other parts, a Scala official promised that there would be no color bar: "The public will have to get used to it. If she sings Butterfly and anybody...

Author: /time Magazine | Title: Music: Mistress of Stage & Score | 5/30/1960 | See Source »

...Included are the Overture to Mozart's The Magic Flute (Nov. 5, 1947): the Finale to Beethoven's Ninth Symphony (March 27, 1952); the Brindisi, or drinking song from Act I of Verdi's La Traviata (Nov. 28, 1946); and assorted other excerpts from Acts I and II of Traviata (Nov. 28, Nov. 30, 1946). Released by the conductor's son Walter, the disk is not available in record stores, can be bought only with a contribution (minimum: $25) to the Musicians Foundation, Inc., 131 Riverside Drive, New York City 24-a charitable organization to which...

Author: /time Magazine | Title: Music: Classical Records | 4/18/1960 | See Source »

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