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...uncommitted composer, they found to ;heir distress that the supply of Germans iad been exhausted: Ansbach and Leipzig lad Bach; Bonn had Beethoven; Bayreuth had Wagner; Munich had Richard Strauss. Partly because they wanted a :omposer who had written enough to feed the festival for years, the Augsburgers aicked Verdi, and reminded visitors that :he city was once Germany's gateway to Italian commerce. This year Augsburg is offering Verdi's Otello and his rarely performed Battle of Legnano on an open-air stage with the city's famed medieval Red ate as a backdrop...

Author: /time Magazine | Title: Music: Festivals Around the Corner | 7/8/1957 | See Source »

...Moor of Venice, his ensign Iago and his wife Desdemona has, in fact, been the source of several superlatives: it gave us Rossini's Otello, his finest serious opera; it gave us the best of all Italian opera libretti (by Arrigo Boito), which, when set to music by Verdi, became the supreme Italian tragic opera of the Romantic century; and it gave us Shakespeare's unequaled, Baroque-styled drama (as distinguished from his Renaissance plays like Romeo and Richard II, and from his Mannerist plays like Hamlet and Lear). It gives us now another superlative--the production of Shakespeare...

Author: By Caldwell Titcomb, | Title: Shakespeare's 'Othello' | 7/1/1957 | See Source »

...little Debussy, Mozart and Beethoven. When Allers took over the baton in Fair Lady, some of the singers asked him to continue his out-of-hours musicmaking. Result: the Allers opera workshop, which in short order sang, without sets or costumes, Mozart's Cosi Fan Tutte, Verdi's Masked Ball and, as a Christmas special, Handel's Messiah. (Audiences usually consist of a dozen or so friends and relatives...

Author: /time Magazine | Title: Music: Singers' Holiday | 5/13/1957 | See Source »

Philadelphia Orchestra (Sat. 9 :05 p.m., CBS). Eugene Ormandy conducts Verdi's complete Requiem Mass...

Author: /time Magazine | Title: TELEVISION: Program Preview, Apr. 8, 1957 | 4/8/1957 | See Source »

...Maestro's last word on Aïda ranks with his recording of Verdi's Otello and Falstaff as his operatic testament. The NBC Symphony plays with brilliant coloring and syllable-sharp instrumental detail ; the singers-some less than top drawer-are whipped almost beyond their powers to high moments of musical exaltation. The Met's Tucker, singing the full dramatic tenor role of Radames for the first time, has big, ringing power when he needs it, joined to a fervent, melting lyricism. Titian-haired Herva Nelli, Toscanini's favorite soprano, sings perhaps the finest...

Author: /time Magazine | Title: Music: The Toscanini Legacy | 3/18/1957 | See Source »

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