Word: vergil
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...Gallic War. When they finished at the end of the second year of Latin, most of them usually dropped Latin forever. Miss Geweke's plan: if most schoolkids are only going to take two years of Latin, why not give them "the best Latin"? Why not give them Vergil and his Aeneid...
More Glamor. To many an old-school Latin teacher, the idea was heresy. Vergil, they said, was much too difficult, too full of poet's irregularities. Besides, boys at least, liked to read about wars. Rubbish, said Miss Geweke. There was adventure and glamor in the Aeneid ("It contains an exciting love affair"). It was a masterpiece, "the most balanced work in all Latin literature." And it was certainly no harder than Caesar, with his long, closely knit sentences, his use of subjunctives, indirect discourse and the historical present. The Classical Association of the Middle West and South...
Slacks. The I.C.I.E. survey did not try to measure the effectiveness of such house organs. But on that score, one critic last fortnight had some harsh words. Said Dr. Vergil D. Reed, a J. Walter Thompson Co. research executive: many business magazines are poorly edited, misguided publications that exist only because it's fashionable for industry to have them...
...Europe becomes more helpless, the Americans are compelled to become farseeing and responsible, as Rome was forced by the long decline of Greece to produce an Augustus, a Vergil . . . Something important is about to happen, as if the wonderful jeunesse of America were suddenly to retain their idealism and vitality and courage and imagination into adult life, and become the wise and good who make use of them; the old dollar values are silently crumbling, and the selfcriticism, experimental curiosity, sensibility and warmth [of America] are on then-way in. For Americans change very fast...
Sponsored by the Institute of Modern Art, the Music Club formerly existed independently. Its membership is still composed mainly of music concentrators. The Club has had three major periods of activity. Vergil Thompson and Leonard Bernstein '39 led the Club in its first two periods of strength while Radcliffe lent its support and kept the Club going during the war under the guidance of Sarah Cunningham '46 and Mary Briggs...