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...into the national scene who's attempting to bring out a more vicious and politically incorrect humor, the kind left untouched by more established comics. He tries to make people laugh, whether or not it damages feelings. Gilman lets this play out as he covers Tim in a cinema verit-style documentary, letting Tim make or break himself under the microscope of his audience and the camera. Through Tim and his fellow comics' exploits on the stage and off, Kyle attempts to explore the world of underappreciated (sometimes deservedly, sometimes not) stand-up comedians. "I have gained a whole...

Author: By Dan Cantagallo, CRIMSON STAFF WRITER | Title: Show off | 12/1/2000 | See Source »

Among other things, the film underscores the power of documentary film to capture the unexpected. It was initially conceived of as a fairly straightforward concert/tour movie (albeit directed by the controversial masters of cinema verit David and Albert Maysles). The moment seemed ripe for such a project: in the wake of Woodstock, hippiedom was charting a hopeful course with its promise of unbridled freedom and creativity. And the Rolling Stones were touring the U.S., culminating in a giant San Francisco festival already billed as "the Woodstock of the West." More than anything else, the film seemed poised to capture...

Author: By Jon Natchez, CRIMSON STAFF WRITER | Title: Sympathy for the Devil: 'Gimme Shelter' Reveals the Bad Vibes of the Sixties | 10/27/2000 | See Source »

...they set out on a quest to interview Bob Dylan. Even more than Dylan, the hero at the center of the film is D.A. Pennebaker. Pennebaker made "Don't Look Back", the 1965 documentary that captured Dylan on tour and at the same time spawned the genre of cinema verit. This film, like the best cinema verit, makes the audience conscious of the filmmaking process itself through the conspicuous invisibility of standard filmmaking conventions: the camera just happens to be there, but everything that takes place wouldn't happen without its presence. It is a meditation on the nature...

Author: By Jon Natchez, CONTRIBUTING WRITER | Title: Good Film Hunting | 4/14/2000 | See Source »

...must scrape the bottom of the barrel of credulity to believe that in one short summer or about two hours running time--a verit-able slew of the nasty little problems that life coughs up at us resolve themselves so quaintly. Among the difficulties that late (actually, kismet might be a better word for it dispenses with like some powerful spot remover are an old man's anxiety about aging and death, the long-time antipathy he and his daughter share, the uneasiness of the wife mother who is caught between them, and the generally screwed-up nature...

Author: By Daniel S. Benjamin, | Title: On Golden Caramel | 2/4/1982 | See Source »

...camera that has worked this change in the eye of the viewer belongs to Ira Wohl, a gifted documentary film maker who is also Philly's cousin. His approach during three years of filming was quite unlike the disdainful stare of cinéma verité, although much of what he recorded is bleak. The tone of the film is passionate advocacy, and its real subject is the dignity of love in a family hard-pressed by age and illness. Pearl, Philly's mother, is in her late 70s, and Max, his father, is three years older...

Author: /time Magazine | Title: Cinema: Family Portrait | 4/21/1980 | See Source »

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