Word: vermeers
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Next only to Vermeer, De Hooch (rhymes with broke, not pooch) was the greatest Dutch genre artist of the 17th century. Very little is known about his life. He was born in Rotterdam in 1629. He learned painting by apprenticeship there, probably to Nicolaes Berchem. By 1655 his name shows up on the rolls of the artists' guild in Delft. There he must have known the slightly younger Johannes Vermeer. Five years later, he was working in Amsterdam. He married and had seven children. None of his letters survive, and no drawings either. In 1684 he died in a madhouse...
...visionary homebody, less mysterious and abstract than Vermeer but vastly more refined than his predecessors, those Dutch painters of grinning drunks, gamblers and bottom pinchers in brown taverns. De Hooch worked in this mode for a while, but his maturity as an artist began with rejecting it. Instead, he focused on home and hearth, sometimes with a bit of boozing--in Holland beer was held to be good even for small children--but always warmly idealized. What he idealized was domesticity and nurture, set in precise constructions of space, bathed in subtle transitions of light...
...vast majority of Colescott's work is incredibly varied and can only be linked in small groups. He is probably best known for his series of appropriations of other painters' works, including a Courbet, a Van Eyck, a Vermeer and a Van Gogh. In these he often changed the race of the figures or added captions and altered the size of the piece. He produced a few works in the Abstract Expressionist vein, which focused on the significance of color and gesture. He employed a cartoon style to address political issues. Among other politically-motivated works, Colescott discussed a painting...
...PEOPLE'S CHOICE Vermeer was a blockbuster at Washington's National Gallery in 1996. But for many art lovers, the true Dutch master is Vincent van Gogh. The largest exhibition of his works to appear outside the Netherlands in 25 years opens at the gallery...
...today's art world, a place without living culture heroes, you can't even imagine such a protean monster arising. His output was vast. This is not a virtue in itself--only a few paintings by Vermeer survive, and fewer still by the brothers Van Eyck, but they are as firmly lodged in history as Picasso ever was or will be. Still, Picasso's oeuvre filled the world, and he left permanent marks on every discipline he entered. His work expanded fractally, one image breeding new clusters of others, right up to his death...