Word: vernacularized
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Certainly they are the easiest to get on the radio-"AC" radio, that is, music biz vernacular for "adult contemporary" stations, whose regimented play lists have turned Fogerty's song for everyone into ditties for anyone. On the '60s Top 40 radio, it was possible to hear Sam and Dave, Otis Redding, the Beatles, the Four Tops and Bob Dylan all in the space of an hour. Nowadays, says Neil Bogart, president of Boardwalk Entertainment Co., "they play music for the 14-to-18 audience, the 30-to-35, the 50-to-60, or for white, black, chicano...
...recalled the public theatrics of the poet, an ostentatious non-comformist, a self-described "Hebraic Melvillean bardic breath." He drew together the strident Beat Generation of the 1950s, led the flower children of the 1960s into Eastern religions, hymned the antinuclear movement of the 1970s. Throughout, he sustained his vernacular yet visionary voice-marked, said one admiring fellow poet, by a "note of hysteria that hit the taste of the young...
...renewal, more affluent workers began to alter their monotone dwellings. They painted them in pinks and greens, sheathed them in asbestos shingles, ersatz clapboard or fake stone and brick and punched outsized suburban picture windows into them. This remodeling often led to a complete transformation, to a peculiar, eclectic vernacular that lent variety to the uniformity of gray, Edward Hopper neighborhoods...
Later architects, from Robert Venturi to Michael Graves, may seem to be coming out in favor of vernacular, complexity, decoration, memory and whatnot-the whole postmodernist bag of tricks, from Cape Cod shingles to Roman arches-but are all pointy-headed clones of the Compound, still seeking to exalt the Word (theory and manifestos) over the Act (workable buildings). Real populist architecture has no chance. Within the taste centers, Wolfe says, "there was no way for an architect to gain prestige through an architecture that was wholly unique or specifically American in spirit." What was this spirit, this ignored Zeitgeist...
...good deal of the popularity of Pop art, as the late Harold Rosenberg pointed out some years ago, partook of "the astonishment of Moliere's character on learning that he has been speaking prose" all his life. Suddenly, there was the commercial vernacular of America, that amniotic fluid in which every collector had been nurtured, right there on the museum wall. And the curious paradox was that, in Lichtenstein's case, the fluid -those cartoon images of teen-agers and Korean War jets-was transparent. After a while the imagery hardly...