Word: verrocchio
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...revived Italian sculpture in a period when it languished after the Rodinesque impressionism of Medardo Rosso and the kineticism of the futurists. Marini loathed the machine at first. He took his subject from the horse and rider, an image common in the Italian cityscape, with Donatello's Gattamelata, Verrocchio's Colleoni and the ancient Roman statue of Marcus Aurelius placed on the Capitoline Hill by Michelangelo. Traditionally, the man on horseback is a symbol of authority, of exultant control, of human power over nature. Marini turned the image from initial triumph to ultimate tragedy...
...15th century Italian noblewoman whose features were probably also the inspiration for the terra-cotta bust-attributed to either Verrocchio or Leonardo-bought for $225 last month by Manhattan's Metropolitan Museum (TIME...
...Italy's most famous Renaissance masters. Back in 1920, Art Dealer Edward Fowles had thought so when he purchased it in Rome for upward of $40,000. Considered to be the original for a marble in the Bargello museum, the bust was then attributed to Andrea del Verrocchio or possibly his pupil, Leonardo da Vinci, by the Bargello's director and the late connoisseur Wilhelm von Bode...
...this still left Peter Wilson, chairman of Sotheby's of London, which owns Parke-Bernet, far from convinced. Said he, in no mood to quarrel with a major customer: "If this proves to have come from the workshop of Verrocchio, Mr. Rorimer and his curator are to be congratulated on being the only connoisseurs to recognize the fact before the auction." As for the Metropolitan, at worst it was stuck with a sculpture that had once sold for $200,000. And besides, the girl is pretty...
...Previous Heil finds: a Verrocchio marble statue on a Manhattan art dealer's window sill (TIME, March 14, 1949) and a Gentile Bellini Doge in the drawer of a Florentine art shop (TIME, April...