Word: version
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Dates: during 1930-1939
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...Canon Law: The sending of money to Rome to buy a benefice (Catholic version of simony...
...Touch") Goldwyn, for all Hollywood's physical resources and the more elastic dimensions of the screen, has not improved on the single set Designer Geddes squeezed into the little old Belasco Theatre stage, but Playwright Lillian Hellman's (The Children's Hour) cinema version enlarges the play's design, intensifies its mood, sharpens its implications. And Producer Goldwyn was smart enough to import the Geddes-Kingsley gang en masse, the whole dirty, ruthless, gay, heroic, nasty, sadistic crew of them. In their transplanted metropolitan hell, Tommy (Billy Halop), Dippy (Huntz Hall), Angel (Bobby Jordan), Spit...
...doubt it is partly the glitter of its memorable predecessors that dulls this version of MGM's big annual musical. Unhappily and obviously, another reason is the remembered rather than memorable elements in its story: the routine of a leading character leaving home to follow a horse, first used in Broadway Bill (Columbia, 1934); the George Murphy-Eleanor Powell dance in Central Park, the interrupting rainstorm and their going into a pavilion for shelter, all copied almost without change from Top Hat (RKO, 1935); finally, the curious parallel between Star Gazer's reaction to Charles Igor Gorin singing...
...Spanish Earth (Contemporary Historians, Inc.). Last winter Writers John Dos Passos, Archibald MacLeish and Ernest Hemingway (see p. 66) decided that one way they might intelligently serve the Spanish Leftists was by producing a film showing the Leftists' version of the origin and progress of the revolution. Finding that little of the source material available in the U. S. could adequately supply them with the dramatic and pictorial qualities they had in mind, Messrs. Dos Passos and MacLeish formed Contemporary Historians, Inc., decided to send their own experts to Spain. There Dutch Director Joris Ivens and Author Hemingway...
...continual sense of the obligation to put forth evidence of red-blooded masculinity ... a literary style, you might say, of wearing false hair on the chest." Author Hemingway called for a mutual baring of bosoms. What next occurred is the subject of variorum accounts. Author Eastman's version: "I knew he could knock me out quickly in a boxing match, so I grappled with him and threw him on his back across Max Perkins' desk and then over the desk and down on his head in a corner." Author Hemingway offered his story as he sailed for Spain...