Word: version
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Dates: during 1930-1939
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...such lines as "I'll cut your heart out and stuff it like an olive," You Can't Have Everything should satisfy almost everyone else. It gives the clowning Ritz Brothers the opportunity to extract the last zany twist from such sequences as playing a swing version of chopsticks, dressing as charwomen to break into the Y. W. C. A. To adept Song Pluggers Alice Faye and Tony Martin, Mack Gordon & Harry Revel have supplied a tiptop score of which the most singable numbers are the title song, Please Pardon Us, We're in Love, and Danger...
Summoning his Legislature for a special session to meet immediately after the regular session closed, Governor Murphy asked for a modified version of his model labor law. The House acquiesced but the Senate not only refused to pass the new bill but re-passed the old one, the Governor's support having been weakened by the fact that one Democratic Senator was unavoidably detained in jail. Defection of other Democrats led to heavy fisticuffing on the floor, after which the Senate abruptly adjourned, leaving the House still sitting. Over the weekend one lone Senator carried on as a sort...
...knew that a special clause in Hornsby's $20,000-a-year contract bound him not to let his betting interfere with his baseball, soon guessed that a difference of opinion about what "interference" meant had caused the ousting. Their guess was substantiated by Rogers Hornsby himself. His version of the ousting: When called to President Barnes's office and asked if he still bet on horses, "I looked him straight in the eyes and said, 'Yes, Mr. Barnes. What about it?' . . . He reached for ... my release." Unconfirmed by President Barnes, Hornsby's story...
...Viscount Hidemaro Konoye, W. K. conductor here, has completed a modern and Japanized version of Puccini's Madame Butterfly which has been submitted to Paramount for possible production. . . . Konoye leaves for America July 21 and if agreeable, production will start soon after his arrival...
...stay home for the summer swelter. Those who like music go to the Philadelphia Orchestra concerts at Robin Hood Dell to console themselves. There last week 3,000 Philadelphians could almost imagine themselves out of the sticky, uncomfortable city when Mary Binney Montgomery and her troupe danced their own version of George Gershwin's An American in Paris. Miss Montgomery's choreography followed closely Gershwin's sparkling musical account of a tourist "adrift in the City of Light." The American (Harry Teplitz) elbowed his way bewilderedly through raucous vendors and squabbling shopkeepers, was momentarily absorbed...