Word: version
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Dates: during 1950-1959
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...director did not dare use a real coach-and-four because Cinderella and most others in the cast were afraid of horses. Otherwise, rehearsals were proceeding pleasantly in a big Manhattan TV studio where Broadway Showmakers Rodgers and Hammerstein and a cast of stars are preparing a lavish musical version of Cinderella. For a close peek at how a TV spectacular is put together, see TV & RADIO, Rear View...
...does a man write a bestselling historical novel fit for a movie version? Before a Boston TV camera last week five nimble minds tossed ideas back and forth for such a book glorifying President Chester Alan Arthur, whose plain life left plenty of room for fictional embroidery. The object: to demonstrate "brainstorming" (TIME, Feb. 18), a technique of group creativity that joins a lot of brains into assault on a single problem or concept. The brainstormers-two professors, an inventor, a hospital director and Cartoonist Al Capp-also laid down some amusing spoofs, e.g., a Chinese friend comforts Arthur...
...wake of Dictator Francisco Franco's government "crisis" and Cabinet shuffle (TIME, March 11), the café wits in Spain last week were passing around a punning version of the old Latin saw, Finis coronat opus (The end crowns the work). Crisis coronat Opus, they said, and the Opus they meant was Opus Dei-a little-known organization of Roman Catholic priests and laymen which, it was rumored, had nine or ten members in Franco's new 18-man Cabinet...
...entrance chanting Love Is a Many-Splendored Thing in a slightly husky, twangy voice. After the applause dies down, she may take off her glasses, pick up a battered cymbal and start flailing it with a wire brush while she launches into a foot-stomping, open-throated jazz version of Lazy River...
...either by making electronic changes in the sound or by splicing several tapes together. Walter Toscanini collected up to a dozen tapes of each Toscanini-conducted piece, some of them taken at rehearsal, some at the performance, some over the radio by fans. The Maestro listened to every taped version, gave qualified approval to the most acceptable, and indicated what passages from other versions he wanted substituted. In some cases he demanded only one or two inserts. But before he would approve a performance of Bach's Brandenburg Concerto in F, engineers had to make more than 100 splices...