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Word: version (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Anouilhan balance, in that it finds much to be said against both sides. But where Anouilh, a worldly observer with both heart and spleen, shows a certain contempt for the riders of bandwagons, he mocks his knight with compassion. And where, in earlier and bitterer mood, Anouilh set his version of Moliere's surly misanthrope against a too complaisant world, his hero in The Fighting Cock comes closer to Cervantes' cracked...

Author: /time Magazine | Title: The Theater: New Play on Broadway, Dec. 21, 1959 | 12/21/1959 | See Source »

...After the family celebration, after the gilded sign ("Welcome home, star!") came down from the Italiano door, other acting jobs came slowly. Anne kept busy peddling chocolate-covered cherries in drugstores and giving English lessons to Peruvian Singer Yma Sumac. Then she got a running part in the TV version of The Goldbergs. Danger, Suspense, and other CBS shows began to use "Anne Marno," as she then called herself. Her acting reputation grew. In his files, TV Director Franklin Schaffner still keeps a card for Anne Marno with the coded notation: CDXX. Translation: can play comedy, or drama, is excellent...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

...Abner (Paramount), the Hollywood version of the Broadway version of Al Capp's comic strip, is a great big overblown pink-walled synthetic two-time reCapp. Like all Capp, it is Rabelais for the retarded, but it will probably carry an impressive bundle to the bank...

Author: /time Magazine | Title: Cinema: New Picture, Dec. 21, 1959 | 12/21/1959 | See Source »

...table can be as detailed as necessary. Leontief's original version had only 15 catalogues; the latest U.S. table, made in 1947, by the government, included 450 industries...

Author: By Soma S. Golden, | Title: Loentief Relates Economic Theory to Fact | 12/17/1959 | See Source »

...plain that the supremely confident soloists required had not been found, the horn being a notoriously intractable beast. There was volume, but no dash, nor was the Orchestra able to warm to its part in the proceedings. Unhappily, the Brahms Tragic Overture also turned out in a pale, unsatisfying version. The opening was uncomfortably ponderous rather than massive, while the uncanny march towards the middle was revved up to a prosaic speed...

Author: By Edgar Murray, | Title: Cambridge Civic Symphony | 12/15/1959 | See Source »

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