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Word: version (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Unlike the book, the film version of From Here to Eternity does not bury its dramatic aspects under a heavy mass of superfluous detail and fuzzy verbiage. Where James Jones spent pages describing the torments of the penal stockade at Sheffield Barracks in Hawaii, director Fred Zinneman achieves the same effects by a few shots of a brutal guard and several whispered conversations. The scenario is a masterpiece of ingenuity and economy; furthermore, it manages to take such material as a syphilitic husband, a wanton wife, a soldier-infested brothel, and the ordinary obscene talk of the Army and translate...

Author: By Michael J. Haiberstam, | Title: From Here to Eternity | 11/13/1953 | See Source »

Radcliffe's student government has no constitution. A revised version of the old one was presented at Payday last week for ratification by the student body, but not enough people voted. A two-thirds majority of the college is necessary, and only 400 votes were cast: 395 for, five against. The approval of some 300 more students is required...

Author: NO WRITER ATTRIBUTED | Title: Lack of Girls to Ratify Radcliffe Constitution | 11/10/1953 | See Source »

Misalliance, a bright union of acid dialogue and fanciful plot, serves as a scrap-book for assorted bits of Shavian philosophy. Skimming over anything profound, the play is an agreeable jumble of Shaw's acumen and nonsense. By exaggerating speech and gestures, the Broadway version has heightened the whimsey and strengthened the plot...

Author: By Heywood E. Bruin., | Title: Misalliance | 11/10/1953 | See Source »

...exaggerations in her performance are typical of the acting throughout. Katherina Sergava, as a masculine lady acrobat, is Shaw's burlequed version of a superwoman. Between escaping from one attempted seduction and another, she delivers an impassioned polemic on the evils of love, one of the highpoints of the evening...

Author: By Heywood E. Bruin., | Title: Misalliance | 11/10/1953 | See Source »

...Schubert's Komm Heilger Geist the tenors used falsetto indiscriminately to reach notes beyond their range. Mr. Weinrich continued with Four Peasant Songs by Stravinsky, a work which has replaced Bullfrog on the Bank as a staple of Ivy League glee clubs. In comparison with the virile Amherst version we heard two years ago, Princeton's performance was disappointing. The striking dissonances were merely out of tune; rhythms that should have been incisive were flaccid...

Author: By R.m. Scarpia, | Title: Harvard and Princeton Glee Clubs | 11/9/1953 | See Source »

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