Word: version
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Dates: during 1950-1959
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After husking a torrid version of Lover, Come Back to Me, Secretarial Student Pat Williams, 18, went "numb" with astonishment upon hearing herself acclaimed. Winning the beauty derby over nine white finalists, the well-stacked (36-24½-37) new Miss Sacramento, first Negro ever to wear the local crown, now aspires to the Miss California and Miss America titles...
...Richard Rodgers' Victory at Sea, Khachaturian's Sabre Dance, Fantasia on "Greensleeves"-preconducted for him by Arthur Fiedler, Morton Gould, Robert Russell Bennett. (Any armchair connoisseur of the Viennese repertory will find Conductor Fiedler's tempi in the Fledermaus waltzes aggravatingly slow, but Gould's version of Mexican Hat Dance is so inspiring that it may result in dislocated shoulders...
...Bolshoi's Swan Lake was strikingly different from the two versions-by the New York City Ballet and Britain's Royal Ballet-most frequently seen in the West. While the City Ballet version telescopes the action into a single act and provides brilliant virtuoso movements for the entire ballet corps, the Bolshoi keeps the original four acts and focuses on the soloists, with the corps often planted in mere statuesque rows and curves. The traditional Swan Lake ending, which is authentically portrayed by the Royal Ballet-the Princess changed back into a swan, forever lost to the world...
Technique over Material. The Bolshoi's other second-week offering was a calculated crowd rouser-a program of highlights that gave the company's stars a chance to display whatever muscles they had failed to flex earlier. There were a few quiet numbers-a beautifully danced version of Fokine's Les Sylphides (called Chopiniana by the Russians), an embarrassingly mawkish pantomime called A Blind Woman, which Prima Ballerina Ulanova almost managed to make acceptable. But most of the evening was given over to acrobatics: spinning, headlong leaps into the arms of supporting male dancers; a vaulting lift...
...talk show for New York's gabby Channel 13 and juggled projects that will keep him busy from Broadway to Hollywood well into 1963, he also rode herd simultaneously on two diverse TV spectaculars: a 1½-hour adaptation of Terence Rattigan's familiar The Browning Version, and a two-hour edition of Sally Benson's equally familiar collection of all-American corn, Meet Me in St. Louis...