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Dates: during 1990-1999
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...strange thing about Buttercup is that this kitschy pop works. Buni conveys genuine pathos on "A Fire" despite the banality of the song's form. Blotches like "A Fire" aside, Buttercup writes strikingly original and effective pop tunes. Though at times they seem like a post-pubescent version of Hanson, the maturity of most tunes confounds any attempt to categorize them simply as pop. Surging underneath the glittery surface of these tunes is a seriously reflective look at friendship, regret and love. "I Got Friends" examines the pain associated with losing contact with old friends, but in the end hope...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: Buttercup Shows Innovation, Reflection With `Love' | 11/7/1997 | See Source »

Last week, the Senate approved a less stringent version of the bill by a 22-14 margin. The House last week passed by an 81-79 margin a bill identical to the one it rejected last night

Author: By Jason M. Goins, CONTRIBUTING WRITER | Title: Death Penalty Defeated | 11/7/1997 | See Source »

...recorded; with its relaxed groove and flowing instrumentation, it is an instance in which his musical conception is fully formed and fully successful. In keeping with the overall sound of this album, though, the vocal line is doubled and multiple guitar tracks are used, to questionable effect. An earlier version with stripped-down instrumentation, available on a tape distributed at G. Love concerts, is arguably better...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Defying Genre No Longer a Novelty for G. Love | 11/7/1997 | See Source »

Moments before Counting Crows appeared, a recorded version of the Mamas and the Papas' "California Dreaming" played over the PA system, reinforcing Counting Crows' frequent references to California. The band then broke out on stage with the title track to its latest album, Recovering the Satellites. Emphasizing substance over flashy gimmicks, the only stage decoration was an illuminated shooting star hanging on the back wall. "Angels in the Silences" and radio station favorite "Daylight Fading" quickly followed. During "Sullivan Street," lead singer Adam Duritz's repeated soul-wrenching cry, "I'm down on my knees," set a mood...

Author: By Marc P. Resteghini, CONTRIBUTING WRITER | Title: Fans Out of Tune with Stellar Crows Show | 11/7/1997 | See Source »

Lemmons frequently manipulates memory to illustrate its unpredictability. In an early scene, Eve recounts finding their father with another woman to her skeptical sister. As Cisely tells a revised version of the story, she and Eve step into the tale, calling into question the validity of Eve,s original version. As with everything else in the film, the flashbacks in Eve's Bayou are fallible. We so often accept flashbacks and other such dramatic devices as literal fact; in Eve's Bayou, nothing is so concrete...

Author: By Jeremy J. Ross, CONTRIBUTING WRITER | Title: Eve's Bayou' Blends Mystery, Voodoo, Sex | 11/7/1997 | See Source »

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