Word: version
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Dates: during 1990-1999
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...vein. "A lot of this stuff, cutting welfare the way some would, can really hurt children if we're not careful," he says. "We can't do that. I won't let it happen." And indeed the most severe of the so-called reforms in the House's version of the welfare bill have been tempered simply because Dole has managed to soften them...
...setting is New York City, and the plaid flares and tiger-striped rompers let you know the year is 1971. The main character, Bobby (Andrew Burlinson), is a single guy who is decidedly neurotic. He's sort of the musical version of Jack Tripper: cheerful, clean-cut and sexually circumspect. Bobby's problem seems to be that the sexual revolution hasn't caught up with his friends. They're all attached, for better and for worse, and they want Robert to join...
...especially during Redman's solos, when the level of intensity on stage fell way short of the standard set by the energetic Sanders audience. The majority of the first set performed by the quartet consisted of uninspired jams on simple, repetitive tunes composed by Redman. While this was a version of straight-ahead jazz at its most miasmic, Redman proved later in the set that he is still willing to go out on a limb, even at the risk of alienating his huge following. Redman's sincere version of Ornette Coleman's "Una Muy Bonita" was the highlight...
...second set led to a standing ovation from the audience at Sanders Theater, and in the manner of a magnanimous entertainer, Redman obliged by playing a fantastic encore, summoning McBride back on stage to share duties with the quartet's regular bassist, Chris Thomas. The group played a spirited version of the old Basic tune "Second Balcony Jump" (after Redman cautioned the packed upper level of Sanders Theater not to get any ideas) and then the leader let the two bassists have a long dialogue that was the evening's highlight. As they exchanged four-measure, then two-measure phrases...
...them escape the Nazi occupation--promising, in return, to read Les Miserables to him on the way to the Swiss border. Much of the film focuses on the fracturing of this family and their terrible struggle to survive. In the meantime, of course, Fortin is obsessively pursued by his version of Inspector Javert, here a nameless policeman collaborating with the Nazis and a man seemingly as outraged by Fortin's lack of complexity as he is by his untutored goodness...