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Dates: during 1950-1959
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...Lowell House Musical Society appears to be doing its part in the current religious revival at Harvard by undertaking a program aimed at the restoration of paganism. After staging an Americanized version of the Trojan War last year, the Society has now turned to Jacques Offenbach's irreverent 19th century reworking of the Orpheus myth. While the moral effect of such an undertaking might be questionable, its entertainment value in the current installment is fairly high. Orpheus in Hades is very nearly an excellent show...

Author: By Thomas K. Schwabacher, | Title: Orpheus in Hades | 4/26/1957 | See Source »

...know-possibly." Then he began remixing a batch of anger in process called The Entertainer so that its lead-a sodden, cynical, third-rate music-hall trouper-would fit Sir Laurence. Last month, having just chucked a reported $250,000 by bowing out of a Hollywood film version of Terence Rattigan's Separate Tables, Olivier startled Britain's effete theater world by accepting the Osborne role. In a small, dingy London house last week, Sir Laurence stepped onstage as The Entertainer at a salary of $126 a week...

Author: /time Magazine | Title: The Theater: The Most Angry Fella | 4/22/1957 | See Source »

...deal puts the company back into the luxury-car market, gives it, and Curtiss-Wright, permission to import and manufacture Mercedes-Benz diesel engines and fuel-injection systems. With an eye on the sales surge of cheaper foreign cars, S-P also plans to produce a stripped-down version of its two-door "Champion" this year. Price: about...

Author: /time Magazine | Title: AUTOS: Foreign-Car Speedup | 4/22/1957 | See Source »

...Strange One (Horizon; Columbia) is the film version of End As a Man, a study of extracurricular activities at a Southern military academy, published in 1947 by Novelist Calder Willingham (who attended The Citadel in 1940). The movie may stimulate some furious second-thinking in many readers who (like James T. Farrell) thought that Willingham had made "a permanent contribution to American literature." With most of its sensationally fleshy parts removed, the bare-bones plot stands revealed as no more-and no less-than a cleverly constructed thriller...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 22, 1957 | 4/22/1957 | See Source »

...they detected a familiar ring in The Brave One. Director Fred Zinnemann recalled that the late documentary pioneer Robert Flaherty (Nanook of the North) had told him in 1931 of a similar story he wanted to shoot. Flaherty later sold the idea to Orson Welles, who produced an unfinished version of the story for RKO called My Friend Bonito. In her Vermont home, Mrs. Frances Flaherty has no thought of suing anyone. "I wouldn't think about protesting that award," she says, "but I'm highly amused by the whole situation." Welles is even more delighted with...

Author: /time Magazine | Title: Cinema: Case of the Missing Scripter | 4/15/1957 | See Source »

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