Word: versions
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Dates: during 1950-1959
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...folk songs with powerfully restrained drama. Later she was on her feet again belting out a Heat Wave with the raucous abandon of a Merman. In the course of the long show, Diahann Carroll displayed only one serious weakness: an occasional tendency to oversell her role, as in her version of Just Lookin' Around, which was so coated with coy baby talk that the message never filtered through...
...hard-riding, hard-writing Civil War commander was already appalled by the smashing success of his first historical novel, Ben-Hur, which in 19 years had sold 400,000 copies. And that, though the general did not live to see it, was only the beginning. By 1920, a stage version of the general's work had been running 21 years, had been seen by 20 million fans, had grossed $10 million. In 1926, M-G-M turned it into the first of the cinemammoths, a $4,000,000, two-hour spectacle starring Ramon Novarro as Ben-Hur and Francis...
Last week, after five years of preparation, 6½ months of shooting in Italy, nine months of editing in Hollywood, and a massive publicity campaign, M-G-M displayed a new version of Ben-Hur that is far and away the most expensive movie ever made-it cost $15 million to produce, $1,500,000 more than The Ten Commandments-and also one of the longest-3 hr. 37 min., not including a 15-minute intermission. Only Gone With the Wind (3 hr. 42 min.) and The Ten Commandments (3 hr. 39 min.) ran longer...
...late Max Reinhardt. Reinhardt's drama advanced through a series of large visions of the human condition, as successively they assailed a nun who had been lured from her convent by the Prince of this World, personified in a fluting cripple. Hollywood's version translates these noble obscurities into terms that the average moviegoer will more restfully recognize-right up to the moment when he falls asleep...
...danger of this middle culture," he said, "is that it may permanently debase our standards, as the revised Standard Bible has replaced the King James Version." MacDonald attacked J.B. for its "mid cult approach," which mixes dramaturgy, the Bible, and melodrama to produce a play that "works twice as fast as real poetry...