Word: versions
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Dates: during 1960-1969
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...Pius; by temperament and training, Paul believes in the necessity of a strong papacy as the church's defense against the threat of anarchy. Inevitably, he has been compared with his immediate predecessors, and not always favorably. Paul often suggests a not-so-brilliant version of Pius XII trying hard to live up to the image of John XXIII. More recently, Vatican clerics have begun to compare him with Pius IX, who reigned from 1846 to 1878. Rather as Paul did, Pius entered the papacy with a reputation for being a liberal. But after an abortive revolution in Rome...
Contrary to the more conventional patterns of the music business, he makes fine music that also sells. In the ten years since he won the Tchaikovsky Competition in Moscow, he has sold 3,000,000 albums-more than 1,000,000 of them the version of the Tchaikovsky First Piano Concerto that vanquished Moscow. His collection, My Favorite Chopin, has been on the classical bestseller lists for 138 weeks...
...editor." It is well known that Eliot's great friend Poet Ezra Pound had been a severe editor who cajoled, bullied or advised Eliot to cut out half of what Pound described, with characteristically inaccurate flamboyance, "the longest poem in the English langwidge" (434 lines in the final version). A facsimile edition of Eliot's first draft, riddled with Pound's penciled comments, will be published in September 1969. Until that time, the draft, with other notes and the unpublished manuscript, will remain encapsulated: the New York Public Library has declined to allow scholars or journalists...
Finian's Rainbow--A heavyhanded, poorly acted film version of the musical, with nothing but the splendid score and the magnificent Fred Astaire to recommend it. The director, Francis Fred Coppola, has a bad habit of chopping people's Lands and feet off; stars Petula Clark and Tommy Steele ought to act their age. At the SAXON, Tremont and Stuart...
...Lion in Winter--Pretension unleashed, most notably that of Anthony Harvey, the director, who seems bent on doing everything as conspicuously as he can. Neither Peter O'Toole nor Katharine Hepburn gives much of a performance in this cumbersomely filmed version of James Goldman's play, which was unconvincing to start with. At the PARIS CINEMA, 841 Boylston...