Word: versions
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...fiction factory of Bangor, Me., sometimes known as Stephen King, has just produced its first 1987 prototype. This is a small, youth-centered version of earlier vehicles capable of holding the whole family. It corners well and accelerates quickly. It has to: The Eyes of the Dragon is a medieval fantasy that drives over thin ice, and its strength is in its speed. Good Prince Peter is framed for regicide by Flagg, a wicked magician who could teach Merlin a few tricks. Once Peter is hauled away to a prison tower, Flagg's puppet, Thomas, rules with a combination...
...whether $250 will be enough to buy all the lawbooks needed). The Samurai Mathematician (with bows to John Belushi) hacks boards into halves, thirds and fourths for a lesson in fractions. Humphrey Bogus and Bergrid Ingman star in an "edited for television" movie, Cartablanca; at the end of this version, "Nick" decides to leave on the plane, but calculations show that his 223-lb. frame will put the cargo over the weight limit. There are MTV-style music videos, a game show called But Who's Counting?, and a funny continuing feature entitled Mathnet, in which a pair of mathematician...
...month, the English National Opera (ENO) unveiled Director Jonathan Miller's production of Puccini's Tosca set during World War II and played in the style of one of Hollywood's gritty, black-and-white melodramas of the period. Earlier this season, the same company presented a Mad Max version of Bizet's Carmen by David Pountney that replaced castanets and mantillas with feral children darting amid junked American automobiles. In Paris, Producer Seth Schneidman staged Strauss's Elektra as a dream-theory psychodrama, freely mixing images of Greek antiquity and 19th century Europe...
...Opera favors conservative productions, sometimes elephantine ones like Franco Zeffirelli's La Boheme and Tosca, that reinforce the company's role as a musical museum. Occasionally, the rival New York City Opera makes a cautious foray into modernism, often with indifferent results -- Frank Corsaro's tepid Spanish Civil War version of Carmen, for example...
Actually, such an attitude is typical of Edmunds who, for twenty years, has sought to become Britain's leading rock revivalist while modestly updating his sound to fit the times. In the late 1970s, he souped up his version of 1950s American rockabilly and became a leader of the "Angry Young Man" movement that made famous such British pub-rockers as Costello, Graham Parker, Joe Jackson and Nick Lowe. In the 1980s, he has even attempted, with varying degrees of success, to graft synthesizers onto his otherwise backward-looking music...