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Dates: during 1990-1999
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...been told. This may be the show-business version of an urban myth, but like any myth, it speaks to a genuine fear. And as it happens, the Writers Guild of America released a study last week showing that the older a writer is, the more likely he or she is to be unemployed: while 73% of film and television writers in their 20s are working, the figure drops to 59% for those in their 30s, and on down to 32% for those in their 50s. Of course, it's conceivable that these numbers are a reflection less...

Author: /time Magazine | Title: The Expiration-Date Culture | 11/9/1998 | See Source »

UPSHOT Publisher issued new version of the novel...

Author: /time Magazine | Title: Notebook: Nov. 9, 1998 | 11/9/1998 | See Source »

...complete without the chapter titled "Clean Plate Club." Hoelterhoff throws political correctness to the wind in her descriptions of the "Three Tonners": Debora Voigt, Sharon Sweet and Jane Eaglen. In her merciless critique, she explains the difficulties of having hugely overweight leads playing believable romantic roles. In one version of La Boheme, with Jane Eaglan as Mimi, the Met had to build a bed that sunk with her weight to help some of the extra bulk. Hoelterhoff fills the chapter out with a mock "Diva Diet," which begins with a slice of toast for breakfast and ends with an "entire...

Author: By Chad B. Denton, CONTRIBUTING WRITER | Title: The Dirt on Divas | 11/6/1998 | See Source »

...replacement and elimination of the human is a theme in Shakespeare's text that is preserved in Sussner's production. The Shakespearean version is great because it describes the anatomy of the takeover, and by doing so, maps the topology of death. By reversing the order, Sussner obscures the tragedy of death and leaves murder. Characters are killed before they speak so that their role in the play always seems an afterthought.. If this review has given little mention to the acting, it is because the acting is overshadowed by a radicalizing interpretation. Though Egan's well-spoken plottings...

Author: By Carla A. Blackmar, CONTRIBUTING WRITER | Title: THE MADNESS OF RICHARD III | 11/6/1998 | See Source »

...included with the greatest hits CD. Though other bands have throwaways as B-sides, any songs on this album could have been included on a regular U2 album (in fact, one, "Silver and Gold," was on Rattle and Hum). Worth the extra money alone are U2's haunting, dark version of Patti Smith's "Dancing Barefoot" and the U2 originals "Spanish Eyes" and "Luminous Times (Hold On To Love)." Other songs are brooding ("Love Comes Tumbling," "Endless Deep") or simply happy ("Hallelujah Here She Comes"). Only the covers are overly weak; their version of "Everlasting Love" seems...

Author: By Annie K. Zaleski, CONTRIBUTING WRITER | Title: U2 THE GOLDEN YEARS... | 11/6/1998 | See Source »

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